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Playwright Mark Burgess talks upcoming biographical play ‘Two Halves of Guiness’: “This new production is like a magician’s box”

Over twenty-five years after the loss of one of Britain’s most legendary actors, Alec Guinness’s theatrical biography gets ready to settle on the London stage following its tour across the country. Guillermo Nazara chats with the man behind its creation to learn more about the show’s development and its driving force. How did the idea…
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Review of ‘To Maury, With Love’: “Glorious rendition gives 8½ reasons to return”

London’s Theatre Royal Drury Lane hosted a special one-off concert honouring composer and lyricist Maury Yeston’s legacy, which featured a star-studded cast including Ramin Karimloo, Rob Houchen, and Kelly Mathieson among many others. Guillermo Nazara shares his views on the show to let us know if the result was either a shipwreck or put audiences…
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Review or ‘1:17 AM, or until the words run out’: “Eternal premise misses the right timings”

The Finborough Theatre hosts the London return of Zoe Hunter Gordon’s intimate play about loss, grievance, and friendship. Guillermo Nazara shares his views on the show to let us know if its poignancy remains at close quarters with the audience. Well, they didn’t run out of words. And to be honest, I wish I had…
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Review of ‘After Miss Julie’: “Femme fatale narrative only honours half the term”

London’s Park Theatre presents Patrick Marber’s period drama involving a dangerous affair. Guillermo Nazara shares his views on the show to let us know if there’s anything to love about this torrid romance. She may have swept the floor, but she couldn’t sweep an audience away. That wasn’t Miss Julie, however, but her devoted maid,…
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Review of ‘Cash On Delivery’: “Poorly executed account shows capital problems”

The Mill at Sonning hosts the latest revival of Michael Cooney’s 1997 farce. Guillermo Nazara shares his views on the show to let us know if this tender return manages to hit the jackpot. This was supposed to be funny. It really wasn’t — not that the idea isn’t promising, but I was expecting something…
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Review of ‘Shadowlands’: “C.S. Lewis-themed play doesn’t leave us surprised by joy”

London’s Aldwych Theatre hosts the West End revival of William Nicholson’s play, which explores the real-life romance between C.S. Lewis and Joy Davidman. Guillermo Nazara shares his views on the show to let us know if its value is all due to an experiment of criticism. I may just be a contrarian, but I don’t…
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Review of ‘I’m Sorry, Prime Minister’: “Return of Downing Street farce nearly scores a ten”

London’s Apollo Theatre welcomes the final instalment of the classic BBC comedy series. Guillermo Nazara shares his views on the show to let us know if this cabinet reunion calls for a reshuffle. Yes, you’ve read right. Jim Hacker is back. He’s no longer in charge, however. We could literally say that he’s passed his…
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Review of ‘The Unlikely Pilgrimage of Harold Fry’: “Wandering musical is only halfway there”

Following its initial run at the Chichester Festival, the stage adaptation of Rachel Joyce’s popular novel arrives in the West End, playing for a limited run until mid-May. Guillermo Nazara shares his views on the show to let us know if it walks the extra mile. I wasn’t rooting for Harold Fry. I know I…


