The charm and glimmer of old-fashioned Broadway lands on the Sadler’s Wells in this new production soon to go on tour around the UK. Guillermo Nazara shares his views on the stage adaptation on one of the greatest 1930s Hollywood classics, to let us know if this tap show brings its best foot forward.
“I don’t want your best. I want sheer, unadulterated brilliance”. The empyrean words from the harshest director on a far-off Great White Way resonate like a striking thunder – to the point that the rest of critics in town beat me to the use of that quote. It’s not that I’m holding grudges. And I’m definitely not calling them unoriginal for doing all the same… but, you know? Jokes apart (I have a concert coming up), it’s honestly difficult not to reference any of the enigmatic phrases that pack this black and white classic turned into a musical reverie. But once again, as the company’s unyielding trouper swears, “I’m not gonna let you down. You’ll get your Pretty Lady”. You just need to scroll down to the signature to find her.
42nd Street is, truly, a fantasy over a fantasy. The pure realization of a Broadway baby’s wish (a show dealing with the creation of show), the glitz and the glamour of its charming plot is elevated through the entrancing shimmer of this production. An uninterrupted stream of shivering flashes pile up in this insuperable extravaganza of stage enchantment – making of it not only a reminder, but an unmovable statement on the magic that only the theatre can bring out.
Directed by Jonathan Church, the montage excels on every single angle, corner and spot like only very few live events can really brag about. An incredible mixture of visuals and sound create this technicolor trance transporting us to a gaudy era founded on big neon dreams. Featuring designs by Robert Jones, the set and costumes are, undoubtedly, one of the highest mentions of this review, introducing us to a perfectly defined universe by cleverly combining huge pieces of scenery with more subtle, though remarkably illustrating resources.
Such success is also due, in a great deal, to Ben Cracknell’s exquisite lighting. A flawless, stellar achievement of storytelling, the textures and ultimate ambiances he has been able to deliver are indeed one of the grandest accomplishments you will find in this field – capable of blending beauty and narrative into electrifying brilliance. In addition, Bill Deamer’s choreography brings the house down through the insatiable applause all of his dances receive. And it’s not without good reason, not only for capturing the old-fashioned allure of the traditional, revue-styled musical, but for taking it to the topmost standards.
Relying on a cast more than acquainted on this sub-genre (or at least, they’ll make you believe that), the greatest star of the entire show is, by far, its ensemble. With the male troupe slightly standing out with more prominence, the company numbers are beyond sensational – providing a more than captivating performance through their extremely energetic, complex dance sections executed to almost utter perfection. As for the lead roles, Adam Garcia’s rendition of theatre director Julian Marsh is probably the most memorable, thanks to the quiet though driving stamina he brings to the part. On the other hand, Sam Lips sweeps the viewers with his remarkable vocals, while Ruthie Henshall’s acting and sensual singing brightly encapsulate the essence of a Broadway diva.
42nd Street is a double kind of spectacle. It’s showmanship in all its glory – there’s no question. But it’s also a lens to see the world through kaleidoscopic bedazzlement. A simple but engaging tale about an artform that holds nothing simple in its nature, this an epitome for those feel the hectic beat of 10th Avanue pumping through their veins. And also, for those who relish on the pizazz of a dawning Sunset Boulevard. Because even though it may be themed after Broadway, this production built up a Hollywood dream.
All pictures credit to Johan Persson.
42nd Street plays at London’s Sadler’s Wells Theatre until 2 July ahead of its UK tour. Tickets are available on the following link.