Review of ‘The Foreigners’ Panto’: “Suella wants it out”

Tears and laughter become partners in crime in this crazy comedy about political oppression. Guillermo Nazara shares his views on the show, to let us know if this new musical piece has actually fallen out of bounds.

“I was born in the wagon of a travelling show, my mama used to dance for the money they’d throw. Papa would do whatever he cooooooould…”. I wonder how many people think of that song every time someone mentions the word “immigrant”. Well, think… You know what I mean. Yes, these last years may have not been the easiest for those who searching for a new life from a place that, some way or another, they felt forced to leave. But to some, there are no valid arguments for those wishing to settle in their country – they are always an invasion. It’s understandable they think like that, though. After all, their high-class name derives from hunters… And robbers.

You’d be surprised that these last few sentences are probably the only preaching you’ll find concerning the entire show. The Foreigners’ Panto may deal with the injustices stemming from racial prejudice and bureaucracy (always so helpful). And surely, you’ll connect with this touching story about a bearded maid, her daughter and her latino cow (they weren’t lying about the panto part). But there won’t be a moment when you feel that you’ve been lectured upon. There’s only one thing you’ll be bombarded with – and that’s laughter.

A delightfully absurd take on social matters, the piece is an ongoing explosion of good energy and, ultimately, great joy. Co written by Tomer Run (music) and Shani Erez (music and script), the show brings the house down every minute with its hilarious depiction of all things Britamese, in the charming city of Londom (I’m really struggling with the autocorrect here…). A tale of true friendship and personal development, the musical develops a compelling narrative through extremely amusing comedy and a beautifully composed (and highly catchy) score – providing us with too many memorable excerpts you’d find difficult not to replicate when leaving the theatre – I’ve been told…

Directed by Erez and Sarah Goddard, the montage is staged with visual effectiveness (achieved in part thanks to Leo Steele’s intricate lighting design, despite the venue’s limitations). But of course, the biggest impact is no doubt provided by its priceless cast – delivering their roles with such stamina, timing and infectiousness you may end up with a dislocated jaw… I just figured you were the aggressive type. Moving on. Out of an entirely brilliant company, the highest praise is equally earned by Vikash Bhai as Lord Villain (for his incredibly enticing portrayal of the traditional, Victorian… Well, you can guess by the character’s name) as well Fabrizio Matteine as Dame Foreign – giving out both charm and bitchiness in the same doses for a perfect uproarious formula.

Mixing up both thinking with a whole deal of entertainment, The Foreigners’ Panto is a genuine triumph as for what showmanship should be all about – proving how sharp and clever a silly farce (only in the surface) can be. With honed pacing, an almost flawless structure and too many cracking snippets, this show is just too precious to be deemed an outcast. Be prepared to split your gut in a blasting evening of fun. And you may also enjoy your time at the theatre before.

All pictures credit to Lidia Crisafulli.

The Foreigners’ Panto plays at London’s Bold Theatre until 28 October. Tickets are available on the following link.

By Guillermo Nazara