London’s Theatre 503 welcomes to its stage this new experimental piece by dkfash, exploring the joys and struggles of love relationships through interdisciplinary arts and techniques. Guillermo Nazara goes on a double date, as he pops his questions to the two protagonists to connect with the heart of the show.
What, would you say, describes the essence of this show?
IO: The beauty and tragedy of love through poetry and movement.
This piece is summarized as “everything I want yet everything we fear”. Why do you think romance usually brings up such polarising feelings?
RAS: I think the intimacy that is fostered when two people fall in love is one of extreme reflection, which invites us to question and understand our deepest desires and our biggest fears. You’re vulnerable, and that can be both amazing and scary.
Do you think true romance is more difficult to happen in a contemporary society?
IO: Yes and no, we see romance every day – but we, as humans, have chosen to complicate it. It can be as easy as we choose to make it, and just as hard. But I do believe that when it’s meant to be, you won’t ever question it.
What has the process of developing the show been like?
IO: It’s been intense and a real challenge, but that’s how you make diamonds: through pressure. I’ve had to push myself and explore things that don’t come naturally to me, but I’m a believer in always being a student in life and continuing to learn.
How much real-life inspiration have you taken to play your role?
RAS: I haven’t gone on the extensive and tumultuous journey that my character has, but I have had my own experiences of heartache and trying to commit to something that may just not work. I think my own life has shown me many shades of vulnerability, pain and also joy and love, so I take what is necessary and shape a truth that helps bring my character to life in mind and body.
Have you faced any creative challenges in your performance?
RAS: Always! Whether it’s acting, writing or any form of creativity. I have found I place a lot of pressure on myself and having faith in what comes naturally to me hasn’t always been the case. Any time I feel as though my self-criticism doesn’t come from a place of encouragement and love, I have to reevaluate the way I speak to myself and the healthiest approach to move forward. Some things are out of my control, and some things just require grit, action, and determination! I overcome by simply getting up and going again – and prayer, always.
Why come see by their fruits?
IO: Because we all need a little love in our lives and the love in by their fruits is love you’ve probably not seen before.
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Production pictures credit to Ali Wright.
by their fruits plays at London’s Theatre 503 until 30 November. Tickets are available on the following link.