Known for his multiple career milestones, such as participating in the 2015 edition of The X Factor or starring in the UK tour of Little Shop of Horrors, the actor steps into a new multi-character role in this musical biopic of the man who changed the course of rock ‘n’ roll forever. Guillermo Nazara chats with the artist to learn more about his work on the show and how it plays on the backbeat.
How does it feel to be part of the show’s UK premiere?
It is a huge privilege to be presenting this work to the UK after its incredible release in the US. Personally, I just want to do it justice — tell the story, sing those wonderful songs.
What prompted you to be part of it?
My elder brother, David, suddenly passed away in late August 2025. I was utterly devastated. Work was in fact pouring in, but I just couldn’t physically move or speak, let alone sing. Grief had a massive hold over me. I had only just lost 2 other dear close friends back in June that very same year. This script landed in my inbox, and I didn’t read it at first. It piled up with all the others. I sent the script to my sister, Esther, who is a brilliant film and theatre director. She read it and told me to immediately read it. And I did! I laughed out loud for the 1st time in months. I knew that I should be a part of telling this story.
Are you much of a rock-and-roll man yourself?
I guess I might have been back in the day! (laughs) I spent my early career touring with legendary artists such as George Michael or Tina Turner, who I miss terribly. These days, you’ll most likely find me in my Wellies & Barbour jacket stomping through the Sussex countryside with my adorable dog, a black schnauzer called Bennie, as well as the odd members-only clubs in town for a cheeky catch up with friends.
The show celebrates the legacy of Alan Freed, the radio DJ who’s credited with coining the genre’s name. How do you think his influence shaped the future of the genre, both artistically and commercially?
What stands out to me is that, despite his own personal struggles with alcoholism, Alan Freed’s exceptional legacy to social and cultural integration through music historically lives on to the present day. It is his commitment to seeing and celebrating excellence beyond race, colour, and creed. It’s a lesson we can all learn from, especially in today’s struggle for identity and acceptance.
What can you tell us about your roles in the show?
I play a number of roles, as we all do in this ensemble piece. The most notable are The Judge and, of course, the great Bo Diddley. For me, this is a tremendous privilege — an honour, in fact. It’s a responsibility to do my very, very best eight shows a week. And I love it!
How challenging is it to play some of the music legends that defined the history of rock?
It is deeply important to be authentic and honest, and to respectfully present the work with integrity. In truth, I agonise about getting it right, with the hopes that I do credit to the massive shoes and legends that I step into every night. It’s no doubt a mammoth task. I just hope I am doing justice to it and them all.
What’s been your preparation to portray and sing like them faithfully?
Like all the work I have done in the past! To completely immerse myself fully in the history and the place we were at time both socially and culturally. The music is born out of struggle, heartbreak, and pain. There are hidden messages in the lyrics and sound. Something every performer and individual who has desired to be seen, heard, and understood can relate to. I’m a black man of a certain age in the arts — I can relate in a real way.
As an actor, how do you balance delivering an accurate portrayal without turning it into an impersonation?
First, I’m an actor who can sing! So my approach is simply to tell the story honestly and authentically. Yes, I research how the real life person moves speaks, performs, and acts — but then, I come from a place of truth. This is an exercise of discipline and understanding, and of respecting the craft.
Have you found any other challenges in this show?
Poor Stephanie Klemons, our choreographer, famed for In The Heights and Hamilton on Broadway, has had me kicking, screaming, and, at times, weeping while teaching me the dance steps! I am not by any means a dancer (laughs) I think we are both perfectionists with a personal history of great work. I am grateful for her patience. Now, of course, I am loving it! And even if I say so myself, I’m a pretty good mover. Thanks, Steph!
Apart from its historical value, what makes this show stand out in comparison to other rock musicals?
Undoubtedly, the writing. Our writers, Rose Caiola, Larry Marshak, and Gary Kupper (original score), excellently captured the period and style with beautiful new songs and music. Randal Myler subtle yet deliberate direction is exquisite. But what for me is also a standout is the cast. Each one of us brings their ‘A’ game, some balancing the actor-musician role with ease and artistry. Dominique Scott, our Music Director, is by far one the most talented MD’s and performers I have ever met. Constantine Maroulis plays Alan Freed to perfection — his voice is insanely good. And all of this has been accomplished with our clever producers, Julian Bird and Rose Caiola, teaming up with Wiltshire Creative.
Are there any highlights in the show that you’d like to flag?
Cherece Richards as Lavern Baker is a force of nature! A must-see and witness. Shelby Speed’s dexterity is impressive when playing mother, wife, and daughter to Freed. In truth, the whole cast are bloody magnificent — not to exclude our terrific covers Jessica Ncube, Xoreal Harrison, and Grant Zavitkovsky.
Why come see Rock and Roll Man?
I’m in it of course! (wink) It is wonderfully entertaining — the music, the dance, the story. It will inspire you to sing, dance, and educate you on the power and beauty of music. That brings us all together — without judgement.
Help us continue our work
We count on your support to keep bringing the greatest quality in theatre-related content, from interviews with the biggest names in the industry to reviews of every show in town and beyond.
We appreciate every donation to maintain our high pace and standards and continue to grow.
Thank you for believing in us!
***************************************************
Anton Stephans is represented by BBA Management.
Rock & Roll Man is currently on tour across the UK. Tickets and venues are available on the following link.