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Review of ‘Cul-de-sac’: “A dead end beyond its title”

London’s Omnibus Theatre hosts the world premiere of David Shopland’s new coming-of-age dark comedy. Guillermo Nazara shares his views on the show, to let us know if this raucous portrayal of the millennial plights booms with generational zest. They’ve chosen the wrong French term to name the show. The meaning may reflect the piece’s effectiveness…
