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  • Review of ‘Titus Andronicus’: “It didn’t die with shame”

    Review of ‘Titus Andronicus’: “It didn’t die with shame”

    Murder and revenge return to the Globe in this new production of Shakespeare’s first and most gruesome tragedy. Guillermo Nazara reviews a re-envisioned approach on this classic tale about pride and honour, to let us know what’s in store within the now blood-stained walls of the Sam Wanamaker Playhouse.

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    3 February, 2023
    English contents, Reviews
    beau holland, daneka etchells, fred thomas, georgia mae myers, globe, gore, katy stephens, Kirsten Foster, lucy mccormick, mia selway, sam wannamaker, shakespeare, shakespeares globe, sophie russel, the globe, titus andronicus, tragedy, william shakespeare
  • Review of ‘The Mistake’: “Somebody had to make it”

    Review of ‘The Mistake’: “Somebody had to make it”

    One of the most horrific episodes in recent history relives onstage through the words and eyes of those who stood before it. Guillermo Nazara reviews this play dealing with the massacre of the Hiroshima bombing, to share this thoughts on this in-depth analysis about the people that lived through the terror but also the ones […]

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    2 February, 2023
    English contents, Reviews
    arcola, arcola theatre, atomic bomb, drama, Edinburgh Fringe Festival, fringe, hiroshima, hitler, japan, japanese culture, london, michael mears, nagasaki, nazi, nazism, off west end, rosamunde hutt, the mistake, world war ii
  • Review of ‘Two Billion Beats’: “It’s finding its pulse”

    Review of ‘Two Billion Beats’: “It’s finding its pulse”

    The Orange Tree Theatre opens its stage to the fight of bullying and the questioning of moral ideals in this new play penned by award-winning writer Sonali Bhattacharyya. Guillermo Nazara reviews this production directed by Nimmo Ismail, to share his thoughts on a work where sisterly love is the answer to every woe.

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    30 January, 2023
    English contents, Reviews
    bullying´, comedy, drama, moral standards, orange tree theatre, racism, two billion beats, west end
  • Review of Frantic Assembly’s ‘Othello’: “In search for the immortal Shakespeare”

    Review of Frantic Assembly’s ‘Othello’: “In search for the immortal Shakespeare”

    The bard’s most iconic work about mischievous friendship and envy’s destructive feelings is reborn in a new version currently playing at the Lyric Hammersmith until mid-February. Guillermo Nazara shares his thoughts on the production, to let us know if one of the author’s greatest and most famous classics has been properly treated.

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    27 January, 2023
    English contents, Reviews
    classic theatre, desdemona, frantic assembly, iago, london, lyric hammersmith, modern shakespeare, Othello, scott graham director, shakespeare, tragedy, updated shakespeare, west end
  • Review of ‘The Unfriend’: “The divine comedy”

    Review of ‘The Unfriend’: “The divine comedy”

    The spooks and the scares have been replaced on the boards of London’s Criterion Theatre for the laughs and feel-good vibe of a most delightful serial killer. Guillermo Nazara reviews this new comedy now playing in the West End for a strictly limited run, to let us know if the victims of this show lie […]

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    25 January, 2023
    English contents, Reviews, Sin categoría
    adult comedy, Amanda Abbington, Chichester Festival Theatre, comedy, criterio theatre, family comedy, farse, fase, inside no 9, london, Maddie Holliday, Marcus Onilude, Mark Gatiss, Michael Simkins, play, Reece Shearsmith, robert jones, sherlock, sitcom, Steven Moffat, the unfriend, west end
  • Review of ‘Moulin Rouge’: “Diamonds are this show’s best friend”

    Review of ‘Moulin Rouge’: “Diamonds are this show’s best friend”

    The scent of la vie boheme infects the boards of the Picadilly Theatre through the stage adaptation of one of the most popular movie musicals in the last 20 years. Guillermo Nazara reviews the production and new cast of one of West End’s latest jukebox acquisitions, to let us know if this the kind of […]

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    23 January, 2023
    English contents, Reviews
    alex timbers, amy thornton, bad romance, because we can, ben richards, brick house, burning down the house, chandlier, crazy, derek mclane, diamonds, elia lotauro, elton john, ewan mcgregor, fidelity, firework, hannah jay allan, i wiall always love you, ian carlyle, jamie muscato, john logan, justin levine, justin townsend, lady marmalade, london, matt rixon, Melissa James, montmatre, moulin rouge, musical theatre, musicals, nicole kidman, paris, picadilly circus, picadilly theatre, Robson Broad, tango roxanne, theatre, tiago dhont bamberger, toulouse lautrec, west end, yandric agius, your song
  • Review of ‘Allegiance’: “A beacon of intentions”

    Review of ‘Allegiance’: “A beacon of intentions”

    George Takei’s semi-biographical musical lands on the West End upon its previous first runs both on Broadway and across the US. Guillermo Nazara reviews this new original piece dealing with the aftermath of war and racism, to share his thoughts about a work that aims to do justice to the spirits of thousands of people […]

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    22 January, 2023
    English contents, Reviews
    allegiance, aynrand ferrer, charing cross, charing cross theatre, eu jin hwang, george takei, hana ichijo, historical, iroy abesamis, iverson yabut, japanese americans, joy tan, london, mark anderson, masashi fujimoto, megan gardiner, missa koide, musical theatre, musicals, patrick munday, rachel jayne picar, raiko gohara, sario solomon, telly leung, west end
  • Review of Cirque du Soleil’s ‘Kurios’: “De la scène a la lune”

    Review of Cirque du Soleil’s ‘Kurios’: “De la scène a la lune”

    The bronze allure of French 1800s steampunk lures within the walls of London’s Royal Albert Hall – through this new production by one the most highly regarded companies in the world. Guillermo Nazara reviews this montage of artistic awe and gifted oddities, to let us know what awaits in one of the most anticipated shows […]

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    19 January, 2023
    English contents, Reviews
    19th century, acrobatics, aerial dance, cirque du soleil, dance, daredevil, de la terre a la lune, french, jules verne, kurious, musical, musical theatre, royal albert hall, steampunk, traditional theatre, west end, xix century
  • Review of ENB’s ‘Swan Lake’: “A treasure to the heart”

    Review of ENB’s ‘Swan Lake’: “A treasure to the heart”

    Tchaikovsky’s worldwide admired masterwork returns to the London Coliseum for a limited run in an old-fashioned style production by the English National Ballet. Guillermo Nazara shares his thoughts on this montage bringing back the ultimate classic of the genre, to let us know if this new recount on the the timeless fairy tale is a […]

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    16 January, 2023
    English contents, Reviews
    aitor arrieta, black swan, brroklyn mack, classical, classical ballet, classics, coliseum, emma hawes, enb, english national ballet, english national opera, eno, erina takahashi, fernanda oliveira, francesco gabriele frola, iana salenko, jane haworth, london, london coliseum, michael coleman, music, musical theatre, natascha mair, shiori kase, swan lake, tchaikovsky, west end
  • Review of ‘SIX’: “King and peasant”

    Review of ‘SIX’: “King and peasant”

    The cult musical continues to drag audiences from all over the country to its little castle on the high street of London’s West End. Guillermo Nazara reviews the media night of this show starring Henry VIII’s (mostly) ill-fated wives, to let us know if this is a production worth losing your head for.

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    14 January, 2023
    English contents, Reviews
    anna of cleves, anne boleyn, anne of cleves, Baylie Carson, british history, Carrie-Anne Ingrouille, catherine of aragon, catherine parr, Claudia Kariuki, Dionne Ward-Anderson, Emma Bailey, Gabriella Slade, George Stiles, henry viii, Jamie Armitage, jane seymour, katherine howard, kenny wax, Koko Basigara, Lucy Moss, musical, musical theatre, Paul Gatehouse, Rhianne-Louise McCaulsky, Roxanne Couch, six, Six The Musical, Tim Deiling, tom curran, vaudeville theatre, Wendy & Andy Barnes, west end
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