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Review of ‘Redcliffe’: “Promising gay romance caves in to shallow execution”
These are the words of someone who had his whole childhood and adolescence ruined by overwhelming homophobia. And yet, I’m grateful. For the fact that, despite the progress that still needs to be made, I can live truthfully and away from the pain others inflicted on me. It’s not been easy. It never is. And…
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Review of ‘Dark of the Moon’: “Wizard-themed musical is far from bewitching”
It doesn’t matter if the protagonist has magical powers. This show simply doesn’t do the trick. There’s nothing charming about it. And there’s not enough sorcery in this world to erase the boredom, disappointment, and ultimate despair audiences are put through in Dark of the Moon, a new musical based on the 1940s play by…
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Felicity Kendal talks new revival of ‘High Society’: “We need less criticism and less disaster”
Considered one of the most prominent actresses of her generation, reunites with Cole Porter and musical theatre after her 2021 debut in Anything Goes, once again bringing back the glitz and glamour of old Broadway, accompanied by a star-studded cast. Guillermo Nazara chats with her during rehearsals to learn more about this new take on…
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Review of ‘The Boy Who Harnessed The Wind’: “Airy musical has power but no electricity”
I wish it had succeeded. Much like I wished to root for its main character. It’s not that I didn’t want the kid to build the wind generator and save his family from famine. I just wanted to be part of his journey, his struggles, and his eventual triumph. It’s surprising how a musical involving…
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Performer and producer Tanya Truman talks upcoming Nigella Lawson-inspired musical: “This show could absolutely build a strong community following”
London’s Upstairs at the Gatehouse gets a taste of Britain’s sweetest (and somewhat spiciest) culinary author with this new musical honouring her legacy through laughter, tears, and home-cooked meals. Guillermo Nazara chats with the actress portraying the iconic TV personality to learn more about the show’s development and how it will stir the pot in…
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Review of ‘Avenue Q’ (2026, West End): “Carefully puppeted revival keeps every string attached with its predecessor”
London’s Shaftesbury Theatre presents the much-anticipated return of Lopez and Marx’s musical comedy hit. Guillermo Nazara shares his views on the show to let us know if this ironic portrayal of adult life still has purpose or anything special to it. I still think Wicked should have won the 2003 Tony for Best Musical. And…
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Review of ‘Flyby’: “Intricate score shoots for the stars despite narrative black hole”
London’s Southwark Playhouse presents the world premiere of Theo Jamieson’s romantic musical, featuring a cast of A-list West End performers. Guillermo Nazara shares his views on the show to let us know if, like its protagonist, this unusual recount has left him lost in space. Here comes another musical about love. And just like many…
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Rupert Young, Gina Beck & Simbi Akande talk upcoming new musical ‘Flyby’: “People will be surprised how much they are affected by the script”
London’s Southwark Playhouse presents the world premiere of this new chamber musical featuring an A-list West End cast. Guillermo Nazara chats with the company to learn more about the show’s development and how this atypical love story will conquer or break the audience’s hearts. How does it feel to be opening a brand new musical…
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Review of ‘A Mirrored Monet’: “There’s nothing impressive about this impressionist musical”
London’s Charing Cross Theatre hosts the world premiere of Carmel Owen’s musical biopic of the influential painter. Guillermo Nazara shares his views on the show to let us know if its portrayal of the artist should be given the brush. In their defence, they never went as far as talking about a Russian who played…
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Review of ‘Ruth, The Ruth Ellis Musical’: “Lady-killer musical results in a criminal act”
London’s Wilton’s Music Hall presents this new neonoir musical exploring the trials and tribulations that led the infamous historical character to her tragic ending. Guillermo Nazara shares his straight-shooting views on the show to let us know if audiences will go ballistic about it. There’s only one thing that I’m grateful for in this musical,…
