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Review of ‘Don Quixote’ (2026, Sadler’s Wells): “Lavish production doesn’t tilt at windmills, but its execution isn’t a giant”
They’ve honoured the classic. Not the novel- that was already butchered by Minkus back in the 19th century -but its ballet adaptation. Don’t expect herds to be attacked as enemy armies or galley prisoners to be unlawfully freed. Instead, this is another love story presented under the lens of the romanticised Spanish mythos. As such,…
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Director Jonathan Munby talks new London revival of ‘The Price’: “I’m interested in how the play speaks to a post-Covid world”
London’s Marylebone Theatre presents a brand new revival of Arthur Miller’s intimate play about inherited trauma and family relationships. Guillermo Nazara chats with the man behind its latest incarnation to learn about his vision — as well as Miller’s ability to speak across generations. How does it feel to direct this latest revival of Arthur…
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Choreographer George Williamson talks family adaptation of ‘Cinderella’: “I’d love to see more work that treats young audiences with the same care, intelligence, and respect as any other audience”
Following its inaugural London run, the production gets ready to bring younger viewers across the country their first ballet experience, delivering an abridged, kid-friendly adaptation of the revered classic. Guillermo Nazara chats with the show’s lead creative to learn more about its development and what makes the right fit for everyone in the family. How…
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Helen Atkinson-Wood talks INK Festival’s 2026 season: “Putting on a production is always a costly business”
After a decade serving as one of its patrons, the actress comes into the spotlight by starring in the world premiere of Jan Etherington’s most personal play. Guillermo Nazara chats with the artist to learn more about the festival’s evolution over the years and its commitment to championing new voices from non-theatrical backgrounds. How does…
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Review of ‘Avenue Q’ (2026, West End): “Carefully puppeted revival keeps every string attached with its predecessor”
London’s Shaftesbury Theatre presents the much-anticipated return of Lopez and Marx’s musical comedy hit. Guillermo Nazara shares his views on the show to let us know if this ironic portrayal of adult life still has purpose or anything special to it. I still think Wicked should have won the 2003 Tony for Best Musical. And…
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Review of ‘Oliver!’ (2026, West End): “1960s-inspired revival is good — gloriously good”
Following its inaugural run at the Chichester Festival, Lionel Bart’s musical-theatre classic celebrates its first anniversary since its latest return to the London scene. Guillermo Nazara reviews the situation to let us know if its newest West End version should consider itself at home. Some of you might leave the theatre begging for more. Some…
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Director Adam Karim talks new London revival of ‘What Fatima Did…’: “We are crying out for the next generation to get involved”
Continuing its mission of championing emerging talent, the company presents this new production of Atiha Sen Gupta’s heartfelt play about cultural identity, featuring an all-18 to 25-year-old cast. Guillermo Nazara chats with the show’s director to learn more about his approach, as well as the piece’s connection with the current zeitgeist. How does it feel…
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Artistic Director Jake Smith talks Eastern Angles’ upcoming summer season: “Touring keeps the work honest”
With over 40 years of experience pioneering tours across East Anglia, the company is set to launch its latest edition, featuring a mix of new and adapted works rooted in the local community. Guillermo Nazara chats with the man setting its path to learn more about this year’s offer and how it will resonate with…
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Review of ‘Dear Jack, Dear Louise’: “Letter-based romance doesn’t correspond with its potential”
London’s Arcola Theatre presents the revival of Ken Ludwig’s epistolary two-hander. Guillermo Nazara shares his views on the show to let us know if this post-depression love story suffers from any delivery fails. Love. Love changes everything. Don’t worry. It’s not that show. Thank goodness it isn’t. There will be romance, though. Actually, that’s the…
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Review of ‘A Doll’s House’ (2026, Almeida Theatre): “Modern remake toys with an interesting concept, but the pathos is porcelain cold”
Ibsen’s classic returns to the London stage in a contemporary adaptation by Anya Reiss. Guillermo Nazara shares his views on the show to let us know if its powerful plot ends up handled like a ragdoll. I’ve experienced a few eye rolls when discussing the premise of this adaptation. For purists, the tiniest change to…
