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Review of ‘Dear Jack, Dear Louise’: “Letter-based romance doesn’t correspond with its potential”
London’s Arcola Theatre presents the revival of Ken Ludwig’s epistolary two-hander. Guillermo Nazara shares his views on the show to let us know if this post-depression love story suffers from any delivery fails. Love. Love changes everything. Don’t worry. It’s not that show. Thank goodness it isn’t. There will be romance, though. Actually, that’s the…
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Review of ‘Still Life with Onions’: “Un-tangy-able taste”
The Barons Court Theatre welcomes the world premiere of this new play dealing with the aftermath of war in the lives of everyday people. Guillermo Nazara shares his views on the show, to let us know if the piece gets to make the cut by a canvas. It is not only the living who are…
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Review of ‘Cold War’: “Inner conflict”
Paweł Pawlikowski’s acclaimed film comes to the stage through this brand new musical adaptation playing at the Almeida Theatre until the end of the month. Guillermo Nazara shares his views on the show, to let us know if this jump from the screen to the stage managed to dodge the bullet. Love is the only…
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Review of ‘The Mistake’: “Somebody had to make it”
One of the most horrific episodes in recent history relives onstage through the words and eyes of those who stood before it. Guillermo Nazara reviews this play dealing with the massacre of the Hiroshima bombing, to share this thoughts on this in-depth analysis about the people that lived through the terror but also the ones…
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Crítica de ’12:37′: “El veneno de la fe”
El Finborough Theatre de Chelsea hace volar su escenario alrededor del mundo en esta épica historia que trata sobre las convicciones morales y la religión y que viaja desde las brumosas costas irlandesas hasta las ardientes arenas de Palestina. Guillermo Názara reseña esta nueva obra de Julia Pascal, para que sepamos qué nos espera bajo…
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Review of ’12:37′: “The poison of faith”
Chelsea’s Finborough Theatre flies its stage around the world in this epic tale dealing with moral convictions and religion travelling from the foggy shores Ireland to the burning sands of Palestine. Guillermo Názara reviews this new play by Julia Pascal, to let us know what awaits under the spotlight of this story about passion, love…
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Review of ‘Tom, Dick and Harry’: “The escape is useless”
This summer, the true story about a group of caged pilots struggling to break free from the grips of Nazism comes to life in one of London’s most captivating venues. Upon his attendance to its opening week, Guillermo Názara reviews this semi-musical interactive show about one of the greatest escape missions in recent history.
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Crítica de ‘Tom, Dick y Harry’: “La huida es inútil”
Este verano, la historia real de un grupo de pilotos presos que luchan por liberarse de las garras del nazismo cobra vida en uno de los escenarios más cautivadores de Londres. Tras asistir a su semana de estreno, Guillermo Názara repasa este espectáculo interactivo semimusical sobre una de las mayores misiones de fuga de la…
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‘Cabaret’ at the Kit Kat Klub extends booking period and announces Christmas schedule
The production has released 30 thousand tickets to allow for seat sales until early January. Based on one of the most famous musicals of all time, this new version takes audiences deep into the very core of its setting, creating an immersive ambiance around the whole venue, which is encouraged to be explored before the…
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‘Cabaret’ en el Kit Kat Klub prorroga temporada y anuncia su calendario de Navidad
La producción ha puesto a la venta 30 mil entradas para permitir la venta de asientos hasta principios de enero. Basada en uno de los musicales más famosos de todos los tiempos, esta nueva versión lleva al público a lo más profundo de su escenario, creando un ambiente envolvente en todo el recinto, que se…
