-
Review of ‘After Miss Julie’: “Femme fatale narrative only honours half the term”
London’s Park Theatre presents Patrick Marber’s period drama involving a dangerous affair. Guillermo Nazara shares his views on the show to let us know if there’s anything to love about this torrid romance. She may have swept the floor, but she couldn’t sweep an audience away. That wasn’t Miss Julie, however, but her devoted maid,…
-
Lead actors Ivan Oyik & Reba Ayi-Sobsa talk love play ‘by their fruits’: “We, as humans, have chosen to complicate romance”
London’s Theatre 503 welcomes to its stage this new experimental piece by dkfash, exploring the joys and struggles of love relationships through interdisciplinary arts and techniques. Guillermo Nazara goes on a double date, as he pops his questions to the two protagonists to connect with the heart of the show. What, would you say, describes…
-
Review of ‘Romeo and Juliet’: “The course of true love never did run smooth”
Shakespeare’s immortal love story relives once again on its home stage, in a new abridged production playing the Globe’s main playhouse. Guillermo Nazara share his views on the show, to let us know if this revised montage still kisses by the book.
-
Review of ‘Still Life with Onions’: “Un-tangy-able taste”
The Barons Court Theatre welcomes the world premiere of this new play dealing with the aftermath of war in the lives of everyday people. Guillermo Nazara shares his views on the show, to let us know if the piece gets to make the cut by a canvas. It is not only the living who are…
-
Review of ‘Afterglow’: “Shadowy gleam”
S. Asher Gelman’s popular piece about modern relationships returns to the London scene for its third time, in a new production currently playing at the same place that hosted its European premiere. Guillermo Nazara shares his views on the show, to let us know if its intimate storyline is worth coming for. There are many…
-
Review of ‘The Swell’: ‘I would do anything for love’
London’s Orange Tree Theatre opens its stage to this tale of lifelong passion, grief and regret. Guillermo Nazara shares his thoughts on this piece reflecting on selfishness and sacrifice, to let us know more about a story where truth can be the recipe for deception. We’re often told that two wrongs don’t make a right.…
-
Óscar Balmaseda talks ‘Mamma Mia! – The Party”: “I dare anyone not to have fun”
Just a few minutes away from the electrifying buzz of London’s West End, on the not-so-quieter bends of the Thames river, lies the Greek island of Skopelos. Well, maybe not the real one, but certainly the one with the realest feeling and essence. Mamma Mia – The Party continues to wow viewers through its dreamy…
-
Óscar Balmaseda habla de ‘Mamma Mia! – The Party”: “Reto a cualquiera a que no se divierta”
A pocos minutos del electrizante bullicio del West End londinense, en las curvas no tan tranquilas del río Támesis, se encuentra la isla griega de Skopelos. Bueno, tal vez no la real, pero sí la que tiene el sentimiento y la esencia más reales. Mamma Mia – The Party sigue asombrando a los espectadores por…
-
London production of ‘Moulin Rouge’ announces new cast
The show is welcoming three new leads as the West End version is entering its second year. Based on the 20th Century Fox classic, the montage is a romantic extravanganza also celebrating 120 years of music, with a repertoire ranging from 19th-century composers to pop singers such as Lady Gaga. Why live life from dream…
-
La producción londinense de “Moulin Rouge” anuncia un nuevo reparto
El espectáculo da la bienvenida a tres nuevos protagonistas mientras la versión del West End entra en su segundo año. Basado en el clásico de la 20th Century Fox, el montaje es una extravagancia romántica que también celebra los 120 años de música, con un repertorio que abarca desde compositores del siglo XIX hasta cantantes…
