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Review of ‘All’s Well That Ends Well’: “Blissful misery”
The Bard’s disputed comedy returns to the London stage in an intimate, candlelit production playing at the Globe’s indoor theatre until the start of the New Year. Guillermo Nazara shares his views on the show, to let us know if, in this new approach on the classic piece, the end is renown, no matter the…
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Review of ‘Barcelona’: “Rambling by Las Ramblas”
Netflix stars Lily Collins and Álvaro Morte tread the West End boards in this new play exploring the lengths of love in its many forms. Guillermo Nazara shares his views on the show, to let us know it this romantic comedy taking Emily out of Paris manages to heist the heart. O mio babbino caro……
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Review of ‘Romeo and Juliet’: “The course of true love never did run smooth”
Shakespeare’s immortal love story relives once again on its home stage, in a new abridged production playing the Globe’s main playhouse. Guillermo Nazara share his views on the show, to let us know if this revised montage still kisses by the book.
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Review of ‘The Merchant of Venice, 1936’: “”Old in limbs, in judgement young”
One of Shakespeare’s best-known and probably most controversial pieces takes a leap in time through this new version starring Tracy-Ann Oberman, and set during the East London riots against fascism. Guillermo Nazara shares his views on the show, to let us know if its reinvented approach deserves a pound of flesh. No one hates stronger…
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Kenneth Branagh’s ‘King Lear’ to release £20 ticket schemes throughout run
The production will launch front row and standing tickets every week through three different process of booking, including an online lottery. Starring and directed by Branagh, the cast features Mara Allen, Deborah Alli and Raymond Anum, among many others. How sharper than a serpent’s tooth is to have a thankless child… Well, maybe we can…
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Review of ‘Titus Andronicus’: “It didn’t die with shame”
Murder and revenge return to the Globe in this new production of Shakespeare’s first and most gruesome tragedy. Guillermo Nazara reviews a re-envisioned approach on this classic tale about pride and honour, to let us know what’s in store within the now blood-stained walls of the Sam Wanamaker Playhouse.
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Review of Frantic Assembly’s ‘Othello’: “In search for the immortal Shakespeare”
The bard’s most iconic work about mischievous friendship and envy’s destructive feelings is reborn in a new version currently playing at the Lyric Hammersmith until mid-February. Guillermo Nazara shares his thoughts on the production, to let us know if one of the author’s greatest and most famous classics has been properly treated.
