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Review of ‘Here There Are Blueberries’ (2026, Stratford East): “Fruitful premise is still waiting to ripen”

The venue presents the London premiere of Moises Kaufman and Amanda Gronich’s eye-opening play about the Holocaust. Guillermo Nazara shares his views on the show to let us know if this photo-based story ends up at the bottom of the barrel. You can either expect everything or nothing from a play about Nazi Germany. Surprisingly,…
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Review of ‘Titus Andronicus’: “It didn’t die with shame”

Murder and revenge return to the Globe in this new production of Shakespeare’s first and most gruesome tragedy. Guillermo Nazara reviews a re-envisioned approach on this classic tale about pride and honour, to let us know what’s in store within the now blood-stained walls of the Sam Wanamaker Playhouse.
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Review of ‘Life of Pi’: “Raw beauty”
The new stage adaptation of Yann Martel’s acclaimed novel continues to fascinate theatregoers through its world of illusions, ideas and adventure. Guillermo Názara chronicles his experience onboard, to share his vision about one of the greatest winners of the last Olivier Awards edition.
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Crítica de ‘La Vida de Pi’: “Belleza en bruto”
La nueva adaptación escénica de la aclamada novela de Yann Martel sigue fascinando a los espectadores por su mundo de ilusiones, ideas y aventuras. Guillermo Názara relata su experiencia a bordo, para compartir su visión sobre uno de los grandes triunfadores de la última edición de los Premios Olivier.
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