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Creatives and performers Hannah Power and Conor Murray talk London transfer of ‘Don’t Tell Dad About Diana’: “We build meaning out of pop culture when we don’t yet have language for who we are”
The most beloved princess lives on through this new two-hander exploring queer identities and the evolution of LGBT+ rights in 1997 Ireland. Guillermo Nazara chats with the show’s authors and performers to learn more about the concept and how it will resonate with people’s hearts. How does it feel to be finally bringing the show…
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Review of Jonny Woo’s ‘Suburbia’: “An inalianable sight to be gay”
The Soho Theatre welcomes the drag queen–performer’s latest solo show, exploring the path of a 80s – 90s gay man in his pursuit to find his true self. Guillermo Nazara shares his views on the show, to let us know if this musical declaration of self-love and determination shares a strong enough message. AIDS is…
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Review of ‘Flock’: “Not quite ahead of the pack”
The Soho Theatre hosts the London premiere of multi-award winning writer Lin Coghlan’s new play, depicting the struggles of two young siblings living a life that’s shown not much kindness to them. Guillermo Nazara shares his views on the show, to let us know if this bold tale of resilience manages to ride against the…
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Review of ‘Jock Night’: “Thick substance”
Drugs, sex and even more fun blend in this humorous rampage exploring the downsides of night life. Guillermo Nazara shares his views on the show, to let us know if, at any point, somebody hit any rock bottoms. Mama… I just f*cked a man… Thank goodness she’s not reading this review… Oh, (what’s the word?)……
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Review of ‘Eve: All About Her’: “I detest cheap sentiment”
One of the most iconic villainesses in movie history comes to London to tell her own side of the story. Guillermo Nazara shares his views on this one-man show combining comedy with musical renditions and high drama, to let us know if this play is worth an encore du champagne. Fasten your seatbelts, it’s gonna…
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Crítica de “The Choir of Man”: “Un brindis por un nuevo comienzo”
El pub más ambulante del mundo lleva sus pintas, aperitivos y canciones a su nueva ubicación en el centro neurálgico del West End londinense. Guillermo Názara repasa este recién llegado espectáculo, que ya ha conquistado la escena internacional, para comentar su representación de la vida, la amistad y la comunidad.
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Review of ‘The Choir of Man’: “A toast to a new beginning”
The most itinerant pub in the world is bringing its pints, snacks and songs to its new location at the hub of London’s West End. Guillermo Názara reviews this newly arrived show, which has already conquered the international scene – to comment about its depiction of life, friendship and community.
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‘El Fantasma de la Ópera’ publica nuevas imágenes de la producción londinense y extiende periodo de reserva
El espectáculo ha lanzado una nueva serie de imágenes en las que aparecen tanto los nuevos miembros del reparto como los actuales, así como su impresionante escenografía. Con música de Andrew Lloyd Webber y coreografías de Gillian Lynne, el musical cuenta la trágica historia de un genio deforme locamente enamorado de una joven soprano cuyo…
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‘The Phantom of the Opera’ releases new London production images and extends booking
The show has launched a new set of pictures featuring both both new cast and ongoing cast members as well as its impressive set design. With music by Andrew Lloyd Webber and coreographies by Gillian Lynne, the musical tells the tragic story of a deformed genius madly in love with a young soprano whose heart…
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Review of ‘Let’s Fall In Love’: “We need more theatre”
Acclaimed American singer and songwriter Ann Hampton Callaway reunites with her London audience for only four exclusive concerts at the heart of Chelsea and Soho. Guillermo Názara reviews the very first of these unique performances, to let us know about the show going through the passions and achievements of one the most prominent jazz composers…
