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Review of ‘Bonnie and Clyde’: “The excitement lies behind bars”
Nick Winston’s West End revision of the Wildhorn-Black musical rifles through the country in this newly opened montage currently touring until the end of the year. Guillermo Nazara shares his views on the show, to let us know if this blasting production has enough ammunition to be worth a shot. You love who you love……
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Review of ‘Romeo and Juliet’: “The course of true love never did run smooth”
Shakespeare’s immortal love story relives once again on its home stage, in a new abridged production playing the Globe’s main playhouse. Guillermo Nazara share his views on the show, to let us know if this revised montage still kisses by the book.
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Review of ‘Shifters’: “Undefined terms”
Passion, distress and heartbreak clash in this explosive tale about two souls building a special bond that will remain unbroken all through their lifetime. Guillermo Nazara shares his views on the show, to let us know if its romantic narrative is worth the engagement. Love is in the air… And it’s DISGUSTING! I mean… Yeah,…
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Review of ‘Our Last First’: “Young but thoughtful”
A thousand love stories get comprised in this single tale, depicting the reality we all face when going through a relationship. Guillermo Nazara shares his thoughts on this production returning to London for a strictly limited run, to let us know if this is a play he is wedded to. Who needs a heart when…
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Review of ‘A Midsummer Night’s Dream’: “The right delusion”
Fairy tale chaos inundates the Globe with the return of Shakespeare’s most whimsical comedy. Guillermo Nazara shares his thoughts on this new production bringing back one of the author’s most popular plays, to let us know if the company should have kept their feet on the ground. The course of true love never did run…
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Review of ‘A Dead Body in Taos’: “An autopsy of the soul”
David Farr’s latest play lands in London for a strictly limited run after touring across the UK from its inception at the Bristol Old Vic. Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of…
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Crítica de ‘A Dead Body in Taos’: “Una autopsia del alma”
La última obra de David Farr aterriza en Londres para una temporada estrictamente limitada después de recorrer el Reino Unido desde su inicio en el Bristol Old Vic. Guillermo Názara reseña esta pieza que explora el vacío y el ansia humanos a través de los ojos de los inertes, para hacernos llegar sus reflexiones sobre…
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‘El Fantasma de la Ópera’ publica nuevas imágenes de la producción londinense y extiende periodo de reserva
El espectáculo ha lanzado una nueva serie de imágenes en las que aparecen tanto los nuevos miembros del reparto como los actuales, así como su impresionante escenografía. Con música de Andrew Lloyd Webber y coreografías de Gillian Lynne, el musical cuenta la trágica historia de un genio deforme locamente enamorado de una joven soprano cuyo…
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‘The Phantom of the Opera’ releases new London production images and extends booking
The show has launched a new set of pictures featuring both both new cast and ongoing cast members as well as its impressive set design. With music by Andrew Lloyd Webber and coreographies by Gillian Lynne, the musical tells the tragic story of a deformed genius madly in love with a young soprano whose heart…
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Óscar Balmaseda talks ‘Mamma Mia! – The Party”: “I dare anyone not to have fun”
Just a few minutes away from the electrifying buzz of London’s West End, on the not-so-quieter bends of the Thames river, lies the Greek island of Skopelos. Well, maybe not the real one, but certainly the one with the realest feeling and essence. Mamma Mia – The Party continues to wow viewers through its dreamy…
