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Review of ‘Choir Boy’: “Socially vocal story needs to breathe”
The critically acclaimed coming-of-age play arrives in the London scene for a limited run, playing until the end of April. Guillermo Nazara shares his views on the show to let us know if this heartening story of friendship, discrimination, and resilience is likely to sing. There’s a lot to take from this play. Some good…
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Director Nancy Medina talks new London production of ‘Choir Boy’: “The world makes black and brown boys men before they are men”
Following a successful inaugural run at the Bristol Old Vic, the production travels to London’s Theatre Royal Stratford East for a limited run until the end of April. Guillermo Nazara chats with the director to learn more about her approach to the piece and how this 2012 play resonates in today’s world more than ever.…
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Review of ‘A Good House’: “A sharp look under the hood”
The Royal Court Theatre hosts the London premiere of this new play made in co-production with the Bristol Old Vic – exploring the struggles of racial prejudice and cultural clash through neighbour-to-neighbour relationships. Guillermo Nazara shares his views on the show, to let us know if its home-arresting narrative ends ups mortgaging itself. The Bible…
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Review of ‘A Dead Body in Taos’: “An autopsy of the soul”
David Farr’s latest play lands in London for a strictly limited run after touring across the UK from its inception at the Bristol Old Vic. Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of…
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Crítica de ‘A Dead Body in Taos’: “Una autopsia del alma”
La última obra de David Farr aterriza en Londres para una temporada estrictamente limitada después de recorrer el Reino Unido desde su inicio en el Bristol Old Vic. Guillermo Názara reseña esta pieza que explora el vacío y el ansia humanos a través de los ojos de los inertes, para hacernos llegar sus reflexiones sobre…
