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The Royal Court announces full cast for upcoming futuristic play ‘More Life’
The venue will premiere this new piece directed by James Yeatman, produced in tandem with the Kandisnky Theatre Company. Written by Lauren Mooney, the story explores the facts of human existence through the story of a woman revived into a robotic body. What does it mean to be human? Are we still people when we…
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Ben Joyce talks ‘Back To The Future’: “The heart of this show is the love that people can have”
Once again, we break up the space time continuum as we travel through frames, songs and memories to reunite with the citizens of Hill Valley. After meeting with its original cast last year, now we’re returning to the place where it all began – to meet the new lead in the musical adaptation of one…
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Review of ‘Creature’: “They dared to play God”
Akram Khan’s expressionist ballet lands on the Sadler’s Wells for a strictly run until the end of the week. Guillermo Nazara reviews this return production by the English National Ballet, where beauty and horror are the inseparable sides of the same creation.
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Review of ‘Marjorie Prime’: “Don’t say we weren’t warned about the Metaverse”
Jordan Harrison’s acclaimed play lands in London in a new production directed by Dominic Dromgoole and featuring a star-studded cast. Guillermo Nazara shares his thoughts on this work dealing with the fragility of modern relationships, to let us know what awaits in this futuristic tale depicting our present.
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Review of ‘Good Day’: “Reworks can be refreshing”
The Vault Festival presents this week a new sci-fi play reflecting about the core principles of humanity. Guillermo Nazara shares his thoughts about the show, to let us know more about this piece where death is only the starting point of life.
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Review of ‘A Dead Body in Taos’: “An autopsy of the soul”
David Farr’s latest play lands in London for a strictly limited run after touring across the UK from its inception at the Bristol Old Vic. Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of…
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Review of ‘Doctor Who: Time Fracture’: “Cracks don’t always mean weakening”
The long running BBC TV series goes back to the stage in a custom-built immersive experience, now running until September after popular demand. Guillermo Názara has volunteered as one of the UNIT HQ recruiters, to let us know if he got to succeed in his mission, and tell us what’s in store behind the walls…
