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Review of ‘Bleak Expectations’: “Butter upon bacon is kind of tasty”
The bliss and charm of Victorian Great Britain relives through this joyful story of murder, treason and animal cruelty. Guillermo Nazara narrates his experience during the opening night of this radio hit transformed for the stage, to prove his sanity after experiencing such a bonkers show. Dear Lord Saddendown of Grimville, It is my somber…
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Review of ‘Beak Speaks’: “The b*tch is back”
The worst actress in the world returns to fringe theatre with her one-woman show on how to follow her footsteps. Guillermo Nazara reviews this masterclass founded on 30 years of inexperience (or literally a helluva one), to let us know about the tips and lessons he had to unlearn.
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Peter Wilson, Pippa Ailion, Andrew Bruce and Amanda Parker to be granted the Olivier Industry Recognition Award next week
The Society of London Theatre has announced the upcoming recipients of this category, acknowledging pioneering, excellence and determination in their fields of work. Taking place next month at the Royal Albert Hall, the full award ceremony will be hosted by Hannah Waddingham.
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Amy Triggs talks ‘Reasons You Should(n’t) Love Me’: “My inspiration was seeing the lack of those stories”
After selling out during its first run, Amy Trigg’s dramaturgic debut has returned on tour around the UK, currently being performed in London until the end of the month. Guillermo Názara chats with 2020 Women’s Prize for Playwriting-winning author and star of the show, to learn more about this personal piece encompassing her struggle but…
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Amy Triggs habla de ‘Reasons You Should(n’t) Love Me’: “Mi inspiración fue ver la falta de esas historias”
Tras agotar las entradas en su primera edición, el debut dramatúrgico de Amy Trigg ha vuelto de gira por el Reino Unido, representándose actualmente en Londres hasta finales de mes. Guillermo Názara conversa con la autora y protagonista del espectáculo, ganadora del Premio Femenino 2020, para conocer más sobre esta obra personal que abarca su…
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Review of BBC Proms – ‘Il Tabarro’: “Genie and genius”
As the UK’s most important summer music festival approaches its lasts weeks, we travel back across its programming to remember one of its most remarkable highlights. Guillermo Názara reviews the Hallé Orchestra’s performance of Puccini’s one-act opera Il Tabarro, a work about doomed romance and passion, whose heavenly music is however a depiction of hell.…
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Crítica de los Proms de la BBC – ‘Il Tabarro’: “Genio y genialidad”
A medida que el festival de música de verano más importante del Reino Unido se acerca a sus últimas semanas, viajamos a través de su programación para recordar uno de sus momentos más destacados. Guillermo Názara analiza la interpretación de la Orquesta Hallé de la ópera en un acto Il Tabarro de Puccini, una obra…
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Review of ‘Doctor Who: Time Fracture’: “Cracks don’t always mean weakening”
The long running BBC TV series goes back to the stage in a custom-built immersive experience, now running until September after popular demand. Guillermo Názara has volunteered as one of the UNIT HQ recruiters, to let us know if he got to succeed in his mission, and tell us what’s in store behind the walls…
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Crítica de ‘Doctor Who: Time Fracture’: “Las grietas no siempre significan debilidad”
La duradera serie de televisión de la BBC vuelve a los escenarios en una experiencia inmersiva hecha a medida, que ahora se desarrolla hasta septiembre tras la demanda popular. Guillermo Názara se ha ofrecido como voluntario como uno de los reclutadores del cuartel general de UNIT, para hacernos saber si consiguió tener éxito en su…
