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    • Guillermo Názara
  • Creative Bertie Watkins talks new immersive adult panto ‘Dead Hard’: “We applied for a world record of most amount of dildos in a live production”

    Creative Bertie Watkins talks new immersive adult panto ‘Dead Hard’: “We applied for a world record of most amount of dildos in a live production”

    London’s Southwark area gets even gayer with the opening of this new drag parody show, turning one of the most iconic classics in film history into a different kind of… iconography. Guillermo Nazara chats with the man leading thus gang banger, to learn all the fun facts about this glittering montage – where there won’t…

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    8 December, 2024
    English contents, Interviews
    adult panto, barbie, comedy, dead hard, die hard, dildo, drag, drag queens, fringe, immersive, lgbt, musical, musical theatre, panto, southwark
  • Review of ‘Club Life’: “Let’s do the time warp again!”

    Review of ‘Club Life’: “Let’s do the time warp again!”

    The Omnibus Theatre puts its boogy shoes on with this musical trip through the personal memories of the songs and nightspots that defined the 80s and 90s decades. Guillermo Nazara shares his views on the show, to let us know if this nostalgic flashdance ends up bringing a total eclipse of the heart. Ah, the…

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    17 November, 2024
    English contents, Reviews
    80s, 90s, club life, Davie Miller, disco music, Fred deadkin, fringe, immersive, music, sita pieraccini
  • Explore the magic of London’s most whimsical Christmas show

    Explore the magic of London’s most whimsical Christmas show

    The allure of the holidays blasts onstage through this new immersive experience taking us to the realm of wishes and fantasy. Guillermo Nazara takes on a ride through this production currently playing until the end of the season, to let us know what sort of proof lies in this pudding. It’s beginning to look a…

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    25 November, 2023
    English contents, Features
    christmas, christmas shows, elf, family, father christmas, happy holidays, holidays, immersive, immersive experience, london, magic, santa claus, waterloo, west end, wishmas, xmas
  • Review of ‘Creature’: “They dared to play God”

    Review of ‘Creature’: “They dared to play God”

    Akram Khan’s expressionist ballet lands on the Sadler’s Wells for a strictly run until the end of the week. Guillermo Nazara reviews this return production by the English National Ballet, where beauty and horror are the inseparable sides of the same creation.

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    27 March, 2023
    English contents, Reviews
    ballet, classical, creature, dance, drama, dystopia, enb, english national ballet, english national opera, eno, high artic, immersive, musical theatre, north pole, orwellian, sadlers wells, sci fi, science fiction, utopia, west end
  • Reseña de “The Great Gatsby Immersive Play”: “¿Hacia dónde va la fiesta?”.

    Reseña de “The Great Gatsby Immersive Play”: “¿Hacia dónde va la fiesta?”.

    El encanto de la Era del Jazz sobrevuela el Atlántico para llevar la locura y la seducción de los locos años 20 a las calles de Londres. Guillermo Názara repasa esta nueva adaptación en vivo de uno de los grandes clásicos norteamericanos, para contarnos qué clase de locuras aguardan en el interior de la mansión…

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    15 December, 2022
    Contenido en español, Críticas
    20s, american, american novel, amie burns walker, bond street, Casey Jay Andrews, gatsby, gatsby mansion, great gatsby, immersive, immersive everywhere, immersive theatre, london, mj lee, music, new york, Oliver Tilney, west end
  • Review of ‘The Great Gatsby Immersive Play’: “Which way is the party?”

    Review of ‘The Great Gatsby Immersive Play’: “Which way is the party?”

    The allure of the Jazz Age flies over the Atlantic to bring the folly and seduction of the Roaring ’20s into the streets of London. Guillermo Názara reviews this new live adaptation on one of the greatest American classics, to let us know what kind of folly awaits inside the mansion of Long Island’s most…

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    15 December, 2022
    English contents, Reviews
    20s, american, american novel, amie burns walker, bond street, Casey Jay Andrews, gatsby, gatsby mansion, great gatsby, immersive, immersive everywhere, immersive theatre, london, mj lee, music, new york, Oliver Tilney, west end
  • Review of ‘Doctor Who: Time Fracture’: “Cracks don’t always mean weakening”

    The long running BBC TV series goes back to the stage in a custom-built immersive experience, now running until September after popular demand. Guillermo Názara has volunteered as one of the UNIT HQ recruiters, to let us know if he got to succeed in his mission, and tell us what’s in store behind the walls…

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    28 April, 2022
    Reviews
    Aimee Kember, Ash Weir, bbc, cyberman, Daniel Dingsdale, dr who, dr who time fracture, elizabeth i, Evangeline Dickson, Georgia Corrigan, Helena Westerman and Alastair Willy, historical, immersive, immersive experiences, immersive theatre, Jacob Jackson, Jamie Pigott, Jonathan Tynan-Moss, Linn Johansson, london, Matthew Coulton, Nathan Banks, Owen Jenkins, period, queen, robots, Sarah Farrell, sci fi, shakespeare, time fracture, tom maller, tv series, west end, William Frazer
  • Crítica de ‘Doctor Who: Time Fracture’: “Las grietas no siempre significan debilidad”

    La duradera serie de televisión de la BBC vuelve a los escenarios en una experiencia inmersiva hecha a medida, que ahora se desarrolla hasta septiembre tras la demanda popular. Guillermo Názara se ha ofrecido como voluntario como uno de los reclutadores del cuartel general de UNIT, para hacernos saber si consiguió tener éxito en su…

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    28 April, 2022
    Críticas
    Aimee Kember, Ash Weir, bbc, cyberman, Daniel Dingsdale, dr who, dr who time fracture, elizabeth i, Evangeline Dickson, Georgia Corrigan, Helena Westerman and Alastair Willy, historical, immersive, immersive experiences, immersive theatre, Jacob Jackson, Jamie Pigott, Jonathan Tynan-Moss, Linn Johansson, london, Matthew Coulton, Nathan Banks, Owen Jenkins, period, queen, robots, Sarah Farrell, sci-fi, shakespeare, time fracture, tom maller, tv series, west end, William Frazer
  • Agatha Christie’s most immersive drama to return to London in August

    The critically acclaimed revival of Witness for Prosecution will resume full-capacity performances at Southbank’s iconic London County Hall. Directed by Lucy Bailey (Oleanna, Ghosts, Love From A Stranger), the show tells the unnerving story of a man accused of murdering a widow in cold blood – and his desperate attempt to prove his innocence and escape…

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    16 April, 2021
    News
    agatha christie, assassin, chris davey, courtroom, crime, drama, gallows, ghosts, immersive, immersive theatre, leonard vole, london, london southbank, love for a stranger, lucy bailey, mic pool, murder, murder witness, oleanna, olivier awards, southbank, torture, west end, witness
  • El drama más inmersivo de Agatha Christie regresa a Londres en agosto

    El revival aclamado por la crítica de Witness for Prosecution retomará funciones con aforo completo en el icónico London County Hall de Southbank. Dirigido por Lucy Bailey (Oleanna, Ghosts, Love From A Stranger), el montaje cuenta la inquietante historia de un hombre acusado de matar a una viuda a sangre fría, y su desesperado intento por…

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    16 April, 2021
    Actualidad
    agatha christie, assassin, chris davey, courtroom, crime, drama, gallows, ghosts, immersive, immersive theatre, leonard vole, london, london southbank, love for a stranger, lucy bailey, mic pool, murder, murder witness, oleanna, olivier awards, southbank, torture, west end, witness
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