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Review of ‘The Mistake’: “Somebody had to make it”
One of the most horrific episodes in recent history relives onstage through the words and eyes of those who stood before it. Guillermo Nazara reviews this play dealing with the massacre of the Hiroshima bombing, to share this thoughts on this in-depth analysis about the people that lived through the terror but also the ones […]
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Alan Menken habla de “Newsies”, “La Sirenita” y mucho más
Desde un pequeño musical off-Broadway hasta convertirse en el compositor más premiado por la Academia de la Historia, la carrera de Alan Menken es, a todas luces, una historia tan antigua como el tiempo sobre el talento, la persistencia y la pasión por lo que hace. Probablemente el responsable de todas las canciones favoritas de […]
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Alan Menken talks ‘Newsies’, ‘Little Mermaid’ and more
From an initially little off-Broadway musical to becoming the most Academy awarded composer in History, Alan Menken’s career is, by all means, a tale as old as time about talent, persistance and a passion for what he does. Probably the man responsible for all of your favourite songs from your childhood (and likely some of […]
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Review of ‘Here’: “It needs a voice to be heard”
London’s Southwark Playhouse hosts the world premiere of this new play by the Papatango Company, whose previous achievements include the Olivier and the Critics’ Circle Award. Guillermo Názara reviews their latest work upon his attendance to the opening night, to let us know his thoughts on this reflection on the complicated bonds tying people who […]
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Crítica de ‘Here’: “Necesita una voz para ser escuchada”
El Southwark Playhouse londinense acoge el estreno mundial de esta nueva obra de la compañía Papatango, entre cuyos logros se encuentran el Olivier y el Premio del Círculo de Críticos. Guillermo Názara reseña su último trabajo tras asistir al estreno, para darnos a conocer su opinión sobre esta reflexión acerca de los complicados lazos que […]