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    • Guillermo Názara
  • Review of ‘The Mistake’: “Somebody had to make it”

    Review of ‘The Mistake’: “Somebody had to make it”

    One of the most horrific episodes in recent history relives onstage through the words and eyes of those who stood before it. Guillermo Nazara reviews this play dealing with the massacre of the Hiroshima bombing, to share this thoughts on this in-depth analysis about the people that lived through the terror but also the ones […]

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    2 February, 2023
    English contents, Reviews
    arcola, arcola theatre, atomic bomb, drama, Edinburgh Fringe Festival, fringe, hiroshima, hitler, japan, japanese culture, london, michael mears, nagasaki, nazi, nazism, off west end, rosamunde hutt, the mistake, world war ii
  • Review of ‘Two Billion Beats’: “It’s finding its pulse”

    Review of ‘Two Billion Beats’: “It’s finding its pulse”

    The Orange Tree Theatre opens its stage to the fight of bullying and the questioning of moral ideals in this new play penned by award-winning writer Sonali Bhattacharyya. Guillermo Nazara reviews this production directed by Nimmo Ismail, to share his thoughts on a work where sisterly love is the answer to every woe.

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    30 January, 2023
    English contents, Reviews
    bullying´, comedy, drama, moral standards, orange tree theatre, racism, two billion beats, west end
  • Alan Menken habla de “Newsies”, “La Sirenita” y mucho más

    Alan Menken habla de “Newsies”, “La Sirenita” y mucho más

    Desde un pequeño musical off-Broadway hasta convertirse en el compositor más premiado por la Academia de la Historia, la carrera de Alan Menken es, a todas luces, una historia tan antigua como el tiempo sobre el talento, la persistencia y la pasión por lo que hace. Probablemente el responsable de todas las canciones favoritas de […]

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    22 December, 2022
    Contenido en español, Entrevistas
    aladdin, alan menken, beauty and the beast, comedy, composer, disney, drama, harvey fierstein, howard ashman, hunchback of notre dame, little mermaid, live action, london, music, musical theatre, musicals, newsies, piano, pocahontas, stephen schwartz, troubadour wembley park, west end, wicked
  • Alan Menken talks ‘Newsies’, ‘Little Mermaid’ and more

    Alan Menken talks ‘Newsies’, ‘Little Mermaid’ and more

    From an initially little off-Broadway musical to becoming the most Academy awarded composer in History, Alan Menken’s career is, by all means, a tale as old as time about talent, persistance and a passion for what he does. Probably the man responsible for all of your favourite songs from your childhood (and likely some of […]

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    22 December, 2022
    English contents, Interviews
    aladdin, alan menken, beauty and the beast, comedy, composer, disney, drama, harvey fierstein, howard ashman, hunchback of notre dame, little mermaid, live action, london, music, musical theatre, musicals, newsies, piano, pocahontas, stephen schwartz, troubadour wembley park, west end, wicked
  • Crítica de ‘Enrique V’: “El amor propio no es un pecado tan vil”

    Crítica de ‘Enrique V’: “El amor propio no es un pecado tan vil”

    La última entrega de Shakespeare en esta épica historia sobre la sed de poder y la corrupción humana vuelve a las tablas del Globe, en una nueva versión que presenta retoques y escenas adicionales a la obra original. Guillermo Názara revisa esta producción reimaginada de uno de los dramas más impactantes del dramaturgo, para hacernos […]

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    30 November, 2022
    Contenido en español, Críticas
    azusa ono, benjin, dharmesh pael, drama, eleanor henderson, geoffrey lumb, georgia frost, globe player, hattie barsby, helena lymberry, henry v, historic drama, history, james cooney, joanna levine, jon furlong, josephine callies, joshua griffin, louis au, maddie cutter, max pappenheim, moi tran, naeem hayat, oliver johnstone, sam wannamaker, sam wannamaker playhouse, shakespeare, shakespeare’s globe
  • Review of ‘Henry V’: “Self-love is not so vile a sin”

    Review of ‘Henry V’: “Self-love is not so vile a sin”

    Shakespeare’s last installment on this epic tale about power thirst and human corruption returns to the Globe’s boards, in a new version featuring additional tweaks and scenes to the original work. Guillermo Názara reviews this reimagined production of one of the playwright’s most striking dramas, to let us know if the bard’s immortal spirit has […]

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    30 November, 2022
    English contents, Reviews
    azusa ono, benjin, dharmesh pael, drama, eleanor henderson, geoffrey lumb, georgia frost, globe player, hattie barsby, helena lymberry, henry v, historic drama, history, james cooney, joanna levine, jon furlong, josephine callies, joshua griffin, louis au, maddie cutter, max pappenheim, moi tran, naeem hayat, oliver johnstone, sam wannamaker, sam wannamaker playhouse, shakespeare, shakespeare's globe
  • Amy Triggs talks ‘Reasons You Should(n’t) Love Me’: “My inspiration was seeing the lack of those stories”

    Amy Triggs talks ‘Reasons You Should(n’t) Love Me’: “My inspiration was seeing the lack of those stories”

    After selling out during its first run, Amy Trigg’s dramaturgic debut has returned on tour around the UK, currently being performed in London until the end of the month. Guillermo Názara chats with 2020 Women’s Prize for Playwriting-winning author and star of the show, to learn more about this personal piece encompassing her struggle but […]

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    20 November, 2022
    English contents, Interviews
    Aldershot, amy triggs, Barking, bbc, Bracknell, Brighton, Canterbury, colchester, comedy, Doncaster, drama, Havant, inspirational, kiln theatre, london, luton, Lyme Regis, Maidenhead, manchester, Middlesbrough, Norwich, paines plough, play, playwriting, reasons you shouldn't love me, royal shakespeare company, rsc, spina bifida, Tunbridge Wells, uk tour, uplifting, washington, west end, wheelchair
  • Amy Triggs habla de ‘Reasons You Should(n’t) Love Me’: “Mi inspiración fue ver la falta de esas historias”

    Amy Triggs habla de ‘Reasons You Should(n’t) Love Me’: “Mi inspiración fue ver la falta de esas historias”

    Tras agotar las entradas en su primera edición, el debut dramatúrgico de Amy Trigg ha vuelto de gira por el Reino Unido, representándose actualmente en Londres hasta finales de mes. Guillermo Názara conversa con la autora y protagonista del espectáculo, ganadora del Premio Femenino 2020, para conocer más sobre esta obra personal que abarca su […]

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    20 November, 2022
    Contenido en español, Entrevistas
    Aldershot, amy triggs, Barking, bbc, Bracknell, Brighton, Canterbury, colchester, comedy, Doncaster, drama, Havant, inspirational, kiln theatre, london, luton, Lyme Regis, Maidenhead, manchester, Middlesbrough, Norwich, play, playwriting, reasons you shouldn't love me, royal shakespeare company, rsc, spina bifida, Tunbridge Wells, uk tour, uplifting, washington, west end, wheelchair
  • Review of ‘Here’: “It needs a voice to be heard”

    Review of ‘Here’: “It needs a voice to be heard”

    London’s Southwark Playhouse hosts the world premiere of this new play by the Papatango Company, whose previous achievements include the Olivier and the Critics’ Circle Award. Guillermo Názara reviews their latest work upon his attendance to the opening night, to let us know his thoughts on this reflection on the complicated bonds tying people who […]

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    17 November, 2022
    English contents, Reviews
    clive judd, drama, george turvey, ghosts, hannah millward, here, london, Lucy Benjamin, mark frost, papatango, play, sam baker jones, southwark playhouse, the other richard, west end
  • Crítica de ‘Here’: “Necesita una voz para ser escuchada”

    Crítica de ‘Here’: “Necesita una voz para ser escuchada”

    El Southwark Playhouse londinense acoge el estreno mundial de esta nueva obra de la compañía Papatango, entre cuyos logros se encuentran el Olivier y el Premio del Círculo de Críticos. Guillermo Názara reseña su último trabajo tras asistir al estreno, para darnos a conocer su opinión sobre esta reflexión acerca de los complicados lazos que […]

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    17 November, 2022
    Contenido en español, Críticas
    clive judd, drama, george turvey, ghosts, hannah millward, here, london, Lucy Benjamin, mark frost, papatango, play, sam baker jones, southwark playhouse, the other richard, west end
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