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    • Guillermo Názara
  • Review of ‘A Midsummer Night’s Dream’ (2025 Globe): “Nightmarish reboot changes a dove for a raven, and it grows into a black swan”

    Review of ‘A Midsummer Night’s Dream’ (2025 Globe): “Nightmarish reboot changes a dove for a raven, and it grows into a black swan”

    The Sam Wanamaker Playhouse welcomes its first candle-lit production of the Bard’s popular comedy. Guillermo Nazara shares his views on the show to let us know if its bleak, edgier remake has made an ass of itself. Could we just stop normalizing crushing a man’s groin as a humour device? Seriously, I hate to sound…

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    30 November, 2025
    English contents, Reviews, Sin categoría
    a midsummer night's dream, a midsummer night’s dream globe review, aronofsky, black swan, c. s. lewis, classic theatre, comedy, danny kirrane, jack nicholson, michael marcus, Narnia, natalie portman, nick bottom, sam wanamaker playhouse, sergo vare, shakespeare, shakespeare classics, shakespeare remake, tara tijani, the globe
  • Review of ‘Salomé’ (2025 Theatre Royal Haymarket): “Silver-plate staging doesn’t disguise company’s failed baptism of fire”

    Review of ‘Salomé’ (2025 Theatre Royal Haymarket): “Silver-plate staging doesn’t disguise company’s failed baptism of fire”

    Gersher Theatre’s revival of Oscar Wilde’s provocative biblical drama celebrates its West End debut through a strictly limited run playing until mid-October. Guillermo Nazara shares his views on the show to let us know if this new take comes across as a butchery (or decapitation) of the classics. She’s not dancing the dance of the…

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    1 October, 2025
    English contents, Reviews, Sin categoría
    classic theatre, doron tavori, john the baptiste, king herod, maxim didenko, neta Roth, oscar wilde, review salome haymarket, salome, theatre royal haymarket
  • Review of ‘The Merry Wives of Windsor’ (The Globe): “Historically-themed remake has no other charms after setting the attractions of its good parts apart”

    Review of ‘The Merry Wives of Windsor’ (The Globe): “Historically-themed remake has no other charms after setting the attractions of its good parts apart”

    The Bard’s comedy returns to the London stage in this new production envisioned by reputed director Sean Holmes. Guillermo Nazara shares his views on the show to let us know if this latest approach to the classic play shall let audiences drink down all unkindness. Well, sooner or later there had to come the moment…

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    21 July, 2025
    English contents, Reviews, Sin categoría
    classic theatre, globe theatre, review the merry wives of windsor, shakespeare, the bard, the globe, the merry wives of windsor, the merry wives of windsor globe, william shakespeare
  • Review of ‘Romeo and Juliet’ (2025 Globe): “Wild West reimagining turns lovers tragedy into a holy-cow extravaganza”

    Review of ‘Romeo and Juliet’ (2025 Globe): “Wild West reimagining turns lovers tragedy into a holy-cow extravaganza”

    Shakespeare’s Globe hosts this cowboy-themed makeover on the Bard’s timeless romance. Guillermo Nazara shares his views on the show, to let us know if de-parting from the material’s original looks is, in this case, such sweet sorrow. “For never was a story of more woe than this of Juliet and her Romeo.” Someone involved with this…

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    28 May, 2025
    English contents, Reviews, Sin categoría
    classic theatre, globe 2025, london theatre, london west end, open air teatre, review romeo and juliet, review romeo and juliet globe, romeo and juliet, romeo and juliet globe review, romeo and juliet review, shakespeare, shakespeare’s globe, the globe, west end, william shakespeare
  • Review of ‘Ghosts’: “Grave matters don’t spirit away in this still haunting reimagining”

    Review of ‘Ghosts’: “Grave matters don’t spirit away in this still haunting reimagining”

    Ibsen’s masterpiece relives on the London stage through this modern-day interpretation, playing at the Lyric Hammersmith until next month and starring Callum Scott-Howells and Victoria Smurfit. Guillermo Nazara shares his views on the show, to let us know if this new revision manages to capture the author’s essence or turns out to be an embarrassing…

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    17 April, 2025
    English contents, Reviews, Sin categoría
    callum scott howells, classic theatre, classics, deka walmsey, ghosts, ghosts review, ibsen, it's a sin, lyric hammersmith, patricia allison, Rachel O’Riordan, review ghosts lyric hammersmith, rhashan stone, victoria smurfit, west end
  • Review of ‘The Glass Menagerie’: “A grasp of blue roses”

    Review of ‘The Glass Menagerie’: “A grasp of blue roses”

    Tennessee Williams’s masterpiece returns to the London stage in a reimagined production playing at The Yard Theatre until mid-May. Guillermo Nazara shares his views on the show, to let us know if this new approach on the classic allows its original essence to crystallise. In Spain there was Guernica! But here there was only hot swing…

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    18 March, 2025
    English contents, Reviews
    classic theatre, fringe, off west end, tennessee williams, the glass menagerie, the glass menagerie review, the glass menagerie the yard review, theatre classics
  • Review of ‘All’s Well That Ends Well’: “Blissful misery”

    Review of ‘All’s Well That Ends Well’: “Blissful misery”

    The Bard’s disputed comedy returns to the London stage in an intimate, candlelit production playing at the Globe’s indoor theatre until the start of the New Year. Guillermo Nazara shares his views on the show, to let us know if, in this new approach on the classic piece, the end is renown, no matter the…

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    26 November, 2024
    English contents, Reviews
    All's Well That Ends Well, bertram, candlelight, chelsea walker, classic theatre, comedy, drama, megan rarity, paroles, richard katz, rosanna vizen, sam wanamaker, shakespeare, shakespeare problem plays, the bard, the globe, tragedy, west end, william robinson, william shakespeare, zoe wanamaker
  • Review of ‘Pirates of Penzance’: “A first-rate opportunity”

    Review of ‘Pirates of Penzance’: “A first-rate opportunity”

    Sasha Regan’s signature all-male production of Gilbert & Sullivan’s masterpiece returns to the London scene, featuring a new cast performing at the Wilton’s Music Hall until the end of the month. Guillermo Nazara shares his views on the show, to let us know if this ‘sir-gent’ approach on the classic work is something he’d jolly…

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    3 November, 2024
    English contents, Reviews
    classic theatre, classical music, comedy, family show, gilbert and sullivan, musical theatre, opera buffa, operetta, parody, pirates of penzance, sasha regan, west end, wiltons music hall
  • Review of ‘Antony and Cleopatra’: “Too green in judgement”

    Review of ‘Antony and Cleopatra’: “Too green in judgement”

    The Bard’s revered historical piece returns to its homeplace in a new production combining conventional acting with sign language performances. Guillermo Nazara shares his views on the show, to let us know if, in this contemporary look on the classic, the odds is far from gone. “Age cannot wither her.” The doomed affair between the…

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    15 August, 2024
    English contents, Reviews
    antony and cleopatra, bsl, classic theatre, deaf actors, julius ceasar, shakespeare, shakespeare’s globe, sign language
  • Review of ‘Bedroom Farce’: “There’s more to happen beneath (and over) the sheets”

    Review of ‘Bedroom Farce’: “There’s more to happen beneath (and over) the sheets”

    Alan Ayckbourn’s 1980s comedy returns to the stage through Robin Herford’s newest revival, playing at The Mill at Sonning for a strictly limited run until the end of the summer. Guillermo Nazara shares his views on the show, to let us know if its crazy mix of love affairs ends up making a good match.…

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    12 August, 2024
    English contents, Reviews
    alan ayckbourn, bedroom farce, classic theatre, comedy, couple, london, mill at sonning, play, rom com, west end
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