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    • Guillermo Názara
  • Review of ‘Salomé’ (2025 Theatre Royal Haymarket): “Silver-plate staging doesn’t disguise company’s failed baptism of fire”

    Review of ‘Salomé’ (2025 Theatre Royal Haymarket): “Silver-plate staging doesn’t disguise company’s failed baptism of fire”

    Gersher Theatre’s revival of Oscar Wilde’s provocative biblical drama celebrates its West End debut through a strictly limited run playing until mid-October. Guillermo Nazara shares his views on the show to let us know if this new take comes across as a butchery (or decapitation) of the classics. She’s not dancing the dance of the…

    guillermonazarareverter

    1 October, 2025
    English contents, Reviews, Sin categoría
    classic theatre, doron tavori, john the baptiste, king herod, maxim didenko, neta Roth, oscar wilde, review salome haymarket, salome, theatre royal haymarket
  • Director Maxim Didenko talks upcoming new West End production of ‘Salomé’: “The way to honour Wilde is by not preserving but by reimagining”

    Director Maxim Didenko talks upcoming new West End production of ‘Salomé’: “The way to honour Wilde is by not preserving but by reimagining”

    Following its world premiere at Tel Aviv’s Jaffa Fest last year, Gersher Theatre’s reinterpretation of Oscar Wilde’s most controversial play arrives in the West End for an extremely limited run — also marking the company’s first-ever return to the UK since their 1999 Barbican performance. Guillermo Nazara chats with the man behind the vision to…

    guillermonazarareverter

    19 September, 2025
    English contents, Interviews, Sin categoría
    gesher theatre, maxim didenko, oscar wilde, plays, salome, salome oscar wilde, theatre royal haymarket, west end, west end plays

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