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Review of ‘Much Ado About Nothing’ (The Globe, 2026): “Present-day revision shows darker shades, but it’s still as merry as the day is long”
There is an obsession with modern reinterpretations of classics that speak to no one but the director’s ego — and perhaps the TikTokers who use them as subjects for mockery. This season’s production of arguably Shakespeare’s most engaging romantic comedy is no exception, but only partially. It might bring a contemporary style to the work-…
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Review of ‘All’s Well That Ends Well’: “Blissful misery”
The Bard’s disputed comedy returns to the London stage in an intimate, candlelit production playing at the Globe’s indoor theatre until the start of the New Year. Guillermo Nazara shares his views on the show, to let us know if, in this new approach on the classic piece, the end is renown, no matter the…
