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    • Guillermo Názara
  • Review of ‘A Doll’s House’ (2026, Almeida Theatre): “Modern remake toys with an interesting concept, but the pathos is porcelain cold”

    Review of ‘A Doll’s House’ (2026, Almeida Theatre): “Modern remake toys with an interesting concept, but the pathos is porcelain cold”

    Ibsen’s classic returns to the London stage in a contemporary adaptation by Anya Reiss. Guillermo Nazara shares his views on the show to let us know if its powerful plot ends up handled like a ragdoll. I’ve experienced a few eye rolls when discussing the premise of this adaptation. For purists, the tiniest change to…

    guillermonazarareverter

    13 April, 2026
    English contents, Reviews, Sin categoría
    a doll’s house, a doll’s house almeida, almeida theatre, anya reiss, henrik ibsen, james corrigan, joel hill gibbins, Olivier Huband, romola garai, thalissa teixeira, tom mothersdale
  • Review of ‘Romans, a novel’: “Gripping production mans compelling tale of masculinity despite disappointing ending”

    Review of ‘Romans, a novel’: “Gripping production mans compelling tale of masculinity despite disappointing ending”

    The Almeida Theatre hosts the world premiere of Alice Birch’s latest play, exploring male-related issues through the trials and tribulations of three siblings. Guillermo Nazara shares his views on the show to let us know if its depiction of brother and individual resilience is, in frat, worth seeing. Manhood — once an honourable term, now…

    guillermonazarareverter

    20 September, 2025
    English contents, Reviews, Sin categoría
    Adelle Leonce, Agnes O’Casey, almeida theatre, Declan Conlon, Jerry Killick, london plays, london theatre, oliver johnstone, Olivier Huband, review romans almeida, romans, romans a novel, romans almeida, romans almeida review, west end, Yanexi Enriquez

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