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Review of ‘A Doll’s House’ (2026, Almeida Theatre): “Modern remake toys with an interesting concept, but the pathos is porcelain cold”
Ibsen’s classic returns to the London stage in a contemporary adaptation by Anya Reiss. Guillermo Nazara shares his views on the show to let us know if its powerful plot ends up handled like a ragdoll. I’ve experienced a few eye rolls when discussing the premise of this adaptation. For purists, the tiniest change to…
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Review of ‘The Years’: “Long-time memories, but short endurance”
London’s Harold Pinter Theatre hosts the West End transfer for the Almeida Theatre’s stage adaptation of Annie Ernaux’s acclaimed book – depicting half a century of history through the eyes of women’s rights. Guillermo Nazara shares his views on the show, to let us know if this piercing journey into the old days manages to…
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Review of ‘Giant’: “The last tale of the unexpected”
John Lithgow lands on the London scene to portray Roald Dahl in Mark Rosenblatt’s latest play, dealing with the author’s conflicting views about the Isreal conflict ahead of the publication of his newest book. Guillermo Nazara shares his views on the show, to let us know if this fictionalized look into the writer’s most controversial…
