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Review of ‘Love Omar’: “Arabian night is hardly a stroke of genius”
I didn’t love him. Or like him. Just like I didn’t love or like this play either. It’s not a bad concept. But it’s a clumsy execution. Very clumsy. To the extent that, if it hadn’t been for the final 20 minutes, I wouldn’t know what the point of this piece is. Nor what it…
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Review of ‘Statues’: “Carved but not ingrained”
The Bush Theatre hosts the London premiere of actor and writer Azan Ahmed’s latest play, exploring the trials and tribulations of a second-generation Muslim teacher regarding cultural pride and racial prejudice. Guillermo Nazara shares his views on the show, to let us know if this marble-ous recount proves to have bust a gut. We are…
