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Review of ‘Love Omar’: “Arabian night is hardly a stroke of genius”
I didn’t love him. Or like him. Just like I didn’t love or like this play either. It’s not a bad concept. But it’s a clumsy execution. Very clumsy. To the extent that, if it hadn’t been for the final 20 minutes, I wouldn’t know what the point of this piece is. Nor what it…
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Review of ‘The Gretchen Question’: “Natural art”
Till the end of this week, Deptford’s Master Shipwright hosts this new play providing answers and raising questions about the ethics concerning the ecosystems – but not in the way you may expect. Guillermo Názara tells us his opinions about the Fuel Theatre’s latest production: a triple-framed story wovened by a reality you may have…
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Crítica de “The Gretchen Question”: “Arte al natural”
Hasta el final de esta semana, el Master Shipwright de Deptford acoge esta nueva obra de teatro que da respuestas y plantea preguntas sobre la ética relativa a los ecosistemas, pero no de la manera que usted espera. Guillermo Názara nos cuenta sus opiniones sobre la última producción del Fuel Theatre: una historia de triple…
