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Review of ‘The Women of Llanrumney’: “A slave of its own intentions”
The Theatre Royal Stratford East hosts the London transfer of the 2023 period play, portraying one of the most controversial episodes of British history. Guillermo Nazara shares his views on the show, to let us know of its slave-themed narrative manages to subjugate its audience. “You know, I really don’t remember you being this opinionated.”. The…
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Review of ‘The Tailor of Inverness’: “Seaming through the wrong thread”
Matthew Zajac stars in this self-written one-man play depicting the trials and tribulations of his own father throughout his escape from Poland during World War II. Guillermo Nazara shares his views on the piece, to let us know if this intimate recount dealing with a couturier’s haunting past needs any patching up. Every story has…
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Review of ‘Allegiance’: “A beacon of intentions”
George Takei’s semi-biographical musical lands on the West End upon its previous first runs both on Broadway and across the US. Guillermo Nazara reviews this new original piece dealing with the aftermath of war and racism, to share his thoughts about a work that aims to do justice to the spirits of thousands of people…
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Review of ‘Tom, Dick and Harry’: “The escape is useless”
This summer, the true story about a group of caged pilots struggling to break free from the grips of Nazism comes to life in one of London’s most captivating venues. Upon his attendance to its opening week, Guillermo Názara reviews this semi-musical interactive show about one of the greatest escape missions in recent history.
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Crítica de ‘Tom, Dick y Harry’: “La huida es inútil”
Este verano, la historia real de un grupo de pilotos presos que luchan por liberarse de las garras del nazismo cobra vida en uno de los escenarios más cautivadores de Londres. Tras asistir a su semana de estreno, Guillermo Názara repasa este espectáculo interactivo semimusical sobre una de las mayores misiones de fuga de la…
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Review of ‘Doctor Who: Time Fracture’: “Cracks don’t always mean weakening”
The long running BBC TV series goes back to the stage in a custom-built immersive experience, now running until September after popular demand. Guillermo Názara has volunteered as one of the UNIT HQ recruiters, to let us know if he got to succeed in his mission, and tell us what’s in store behind the walls…
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Crítica de ‘Doctor Who: Time Fracture’: “Las grietas no siempre significan debilidad”
La duradera serie de televisión de la BBC vuelve a los escenarios en una experiencia inmersiva hecha a medida, que ahora se desarrolla hasta septiembre tras la demanda popular. Guillermo Názara se ha ofrecido como voluntario como uno de los reclutadores del cuartel general de UNIT, para hacernos saber si consiguió tener éxito en su…
