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Review of ‘Allegiance’: “A beacon of intentions”
George Takei’s semi-biographical musical lands on the West End upon its previous first runs both on Broadway and across the US. Guillermo Nazara reviews this new original piece dealing with the aftermath of war and racism, to share his thoughts about a work that aims to do justice to the spirits of thousands of people […]
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Review of ‘Come From Away’: “It’s all about the theatre”
In an unknown town somewhere in Canada, the locals face the heroic task of hosting foreign air passengers on the dawn of the day that changed not only America but the entire world’s History. Guillermo Názara reviews below the London production of Come From Away, to share his thoughts and vision about one of the […]
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Crítica de ‘Come From Away’: “Es todo teatro”
En un pueblo desconocido de algún lugar de Canadá, los lugareños se enfrentan a la heroica tarea de acoger a pasajeros aéreos extranjeros en el amanecer del día que cambió no sólo la Historia de América, sino la de todo el mundo. Guillermo Názara repasa a continuación la producción londinense de Come From Away, para […]
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