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Lead actor Daniel Krikler talks stage adaptation of ‘The Pianist’: “I remind myself daily why I’m telling this story”
One of the most compelling Holocaust accounts jumps from the pages of Władysław Szpilman’s memoirs to the London stage, where it is currently celebrating its world premiere at Park Theatre. Guillermo Nazara chats with the show’s star about this new chapter in the story’s legacy and the challenges of leading the production after Polanski’s film…
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Review of ‘Ceilidh’: “Unconventional Scottish musical isn’t that brave, but it teems with heart”
As with its pronunciation, be prepared for something a little unusual and unexpected. By all means, this is an atypical musical. An imperfect one, as well. But the great thing about it (or perhaps one of the many) is that it doesn’t need to be flawless. A simple story and an accessible Gaelic score result…
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Review of ‘Heated Rivalry’ (2026, Underbelly Soho): “Top-tier gay parody is bottomless fun”
I don’t care for the series. I tried to watch the whole thing before coming to press night, but I couldn’t stand more than 5 minutes. I wasn’t too worried, though. After all, I had already seen all the important bits (some longer than others) by changing my VPN location. But as this musical states…
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Review of ‘Trainspotting, The Musical’: “H-themed show appropriately scores below an F”
Ignore the negativity. It’s probably sugarcoated. Nothing you have heard or read can prepare you for this show’s deplorable quality. And that concerns every single aspect of it. If you value your time and, most importantly, your well-being, I must urge you not to watch it. It is that bad. You won’t be touched —…
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In the launch of Billy Elliot’s 20th anniversary production
Two decades after its message of individuality and self-belief took its first steps (and pirouettes) on the London stage, the musical returns in a brand new production touring across the country before landing in the West End. Join us as we meet the talent bringing this iconic story back to life, featuring a special appearance…
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Review of ‘Hot Mess’: “Earthy musical is hardly out of this world”
It’s somewhat ironic to find myself writing a review about a musical denouncing global warming while suffering the suffocating effects of the current heat wave. You would think that would have resulted in an instant click between the show and me. A genuine connection. And a desire to let the crowds know. But it hasn’t.…
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Review of ‘High Society’ (2026, Barbican): “Flimsy narrative rides high on spectacle, and that’s alright with me”
It is what it is. We couldn’t have asked for more. Or less. And that is fine. In fact, it might be more than fine. Not every musical needs to be poignant, moving, or thought-provoking. And that’s okay. Because this one is nothing of the sort. Still, it works — provided that you limit your…
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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”
The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Review of ‘A Mirrored Monet’: “There’s nothing impressive about this impressionist musical”
London’s Charing Cross Theatre hosts the world premiere of Carmel Owen’s musical biopic of the influential painter. Guillermo Nazara shares his views on the show to let us know if its portrayal of the artist should be given the brush. In their defence, they never went as far as talking about a Russian who played…
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Performer Anton Stephans talks touring production of ‘Rock & Roll Man’: “The power of musical will bring us all together — without judgement”
Known for his multiple career milestones, such as participating in the 2015 edition of The X Factor or starring in the UK tour of Little Shop of Horrors, the actor steps into a new multi-character role in this musical biopic of the man who changed the course of rock ‘n’ roll forever. Guillermo Nazara chats…
