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In the launch of Billy Elliot’s 20th anniversary production
Two decades after its message of individuality and self-belief took its first steps (and pirouettes) on the London stage, the musical returns in a brand new production touring across the country before landing in the West End. Join us as we meet the talent bringing this iconic story back to life, featuring a special appearance…
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Review of ‘Hot Mess’: “Earthy musical is hardly out of this world”
It’s somewhat ironic to find myself writing a review about a musical denouncing global warming while suffering the suffocating effects of the current heat wave. You would think that would have resulted in an instant click between the show and me. A genuine connection. And a desire to let the crowds know. But it hasn’t.…
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Review of ‘High Society’ (2026, Barbican): “Flimsy narrative rides high on spectacle, and that’s alright with me”
It is what it is. We couldn’t have asked for more. Or less. And that is fine. In fact, it might be more than fine. Not every musical needs to be poignant, moving, or thought-provoking. And that’s okay. Because this one is nothing of the sort. Still, it works — provided that you limit your…
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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”
The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Review of ‘A Mirrored Monet’: “There’s nothing impressive about this impressionist musical”
London’s Charing Cross Theatre hosts the world premiere of Carmel Owen’s musical biopic of the influential painter. Guillermo Nazara shares his views on the show to let us know if its portrayal of the artist should be given the brush. In their defence, they never went as far as talking about a Russian who played…
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Performer Anton Stephans talks touring production of ‘Rock & Roll Man’: “The power of musical will bring us all together — without judgement”
Known for his multiple career milestones, such as participating in the 2015 edition of The X Factor or starring in the UK tour of Little Shop of Horrors, the actor steps into a new multi-character role in this musical biopic of the man who changed the course of rock ‘n’ roll forever. Guillermo Nazara chats…
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Review of ‘The Unlikely Pilgrimage of Harold Fry’: “Wandering musical is only halfway there”
Following its initial run at the Chichester Festival, the stage adaptation of Rachel Joyce’s popular novel arrives in the West End, playing for a limited run until mid-May. Guillermo Nazara shares his views on the show to let us know if it walks the extra mile. I wasn’t rooting for Harold Fry. I know I…
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Review of ‘Already Perfect’: “Gay coming-of-age musical bio sings but doesn’t grow or live on”
The King’s Head Theatre hosts the London premiere of Levi Kreis’s semi-biographical musical about a successful Broadway actor haunted by the shadows of a traumatic past. Guillermo Nazara shares his views on the show to let us know if this reflective piece of storytelling is a mirror worth looking into. There is one fundamental rule…
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Drag performer Patti Boo Rae talks new festive show ‘Little Miss Christmas’: “Beauty pageants and the holidays have a lot in common”
Following the success of its initial run last year, the show lands on the London scene for two daily performances across the holiday season. Guillermo Nazara chats with the artist to learn what’s in store in this festive celebration of glitter, lipstick, and acceptance. How does it feel to be bringing the show to the…
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Composer, lyricist, and bookwriter Hans Jacob Hoeglund talks upcoming new musical ‘Moominvalley in November’: The hardest part is not the writing of the piece, but getting it produced”
After making the Mercury Musical shortlist for the 2025 BEAM showcase, the piece gets ready for its first-ever full-scale production, opening this week at The Gatehouse for a limited three-week run. Guillermo Nazara chats with the man behind every note and word to learn more about the creation of the piece and how he’s managed…
