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Review of ‘The Beekeper of Aleppo’: “Refugee play is a hive of narrative activity, but its pathos doesn’t sting”
Christy Lefter’s popular novel returns to the stage through this touring adaptation produced in collaboration with the Nottingham Playhouse. Guillermo Nazara shares his views on the show to let us know if it’s bound to make the theatre colony buzz. I wanted to cry. I wanted to be moved. Sadly, my wishes weren’t granted. I…
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Performer Anton Stephans talks touring production of ‘Rock & Roll Man’: “The power of musical will bring us all together — without judgement”
Known for his multiple career milestones, such as participating in the 2015 edition of The X Factor or starring in the UK tour of Little Shop of Horrors, the actor steps into a new multi-character role in this musical biopic of the man who changed the course of rock ‘n’ roll forever. Guillermo Nazara chats…
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Review of ‘Death On The Nile’: “New stage adaptation of Agatha Christie’s classic stays afloat despite added plot hole rocking the boat”
Following last year’s staging of one of her most prominent works, playwright Ken Ludwig and director Lucy Bailey team up again to revive another of Christie’s masterpieces. Guillermo Nazara shares his views on the show to let us know if their latest collaboration is slaying it, or instead just good enough to kill time. There’s…
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Review of ‘M-Othering’: “Premature delivery gives birth to underdeveloped show’
Brighton’s The Old Market hosted the premiere of Chess Dillon-Reams’s latest dance montage, celebrating the different ways women look after each other. Guillermo Nazara shares his views on the show, to let us know if this newborn idea is impregnated with theatrical pizzazz. It’s hard not to see how this piece is its creator’s precious…
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Review of ‘Bonnie and Clyde’: “The excitement lies behind bars”
Nick Winston’s West End revision of the Wildhorn-Black musical rifles through the country in this newly opened montage currently touring until the end of the year. Guillermo Nazara shares his views on the show, to let us know if this blasting production has enough ammunition to be worth a shot. You love who you love……
