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Review or ‘1:17 AM, or until the words run out’: “Eternal premise misses the right timings”
The Finborough Theatre hosts the London return of Zoe Hunter Gordon’s intimate play about loss, grievance, and friendship. Guillermo Nazara shares his views on the show to let us know if its poignancy remains at close quarters with the audience. Well, they didn’t run out of words. And to be honest, I wish I had…
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Review of ‘The Tailor of Inverness’: “Seaming through the wrong thread”
Matthew Zajac stars in this self-written one-man play depicting the trials and tribulations of his own father throughout his escape from Poland during World War II. Guillermo Nazara shares his views on the piece, to let us know if this intimate recount dealing with a couturier’s haunting past needs any patching up. Every story has…
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Review of ‘1979’: “I want a second recount”
One of Canada’s most intense political episodes relives on the small stage of London’s fringe theatre. Guillermo Nazara shares his views on the show, to let us know if this new production is up for viewer’s reelection. Morality is the corruption of political success. It may sound depressing to say so (it’s also Monday, so…
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Crítica de ’12:37′: “El veneno de la fe”
El Finborough Theatre de Chelsea hace volar su escenario alrededor del mundo en esta épica historia que trata sobre las convicciones morales y la religión y que viaja desde las brumosas costas irlandesas hasta las ardientes arenas de Palestina. Guillermo Názara reseña esta nueva obra de Julia Pascal, para que sepamos qué nos espera bajo…
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Review of ’12:37′: “The poison of faith”
Chelsea’s Finborough Theatre flies its stage around the world in this epic tale dealing with moral convictions and religion travelling from the foggy shores Ireland to the burning sands of Palestine. Guillermo Názara reviews this new play by Julia Pascal, to let us know what awaits under the spotlight of this story about passion, love…
