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Review of ‘Good Night, Oscar’: “Sean Hayes gives an insane performance of a folly good play”
Doug Wright’s highly anticipated play lands on the London stage for a limited summer run, exploring acclaimed Hollywood pianist and personality Oscar Levant’s struggles with mental health and his haunting relationship with composer George Gershwin. Guillermo Nazara shares his views on the show — to let us know if this Haye’s willfully graceful rendition comes…
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Review of ‘A Dead Body in Taos’: “An autopsy of the soul”
David Farr’s latest play lands in London for a strictly limited run after touring across the UK from its inception at the Bristol Old Vic. Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of…
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Crítica de ‘A Dead Body in Taos’: “Una autopsia del alma”
La última obra de David Farr aterriza en Londres para una temporada estrictamente limitada después de recorrer el Reino Unido desde su inicio en el Bristol Old Vic. Guillermo Názara reseña esta pieza que explora el vacío y el ansia humanos a través de los ojos de los inertes, para hacernos llegar sus reflexiones sobre…
