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The 50 best shows of 2025

In the run-up to 2026’s exciting new offer, we’re taking a final trip down review lane to gather the most enduring shows of the year. Discover which ones have made the cut out of hundreds of press performances and how close it gets to your own selection. 50. Antigone On Strike Action, politics, and philosophy…
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a christmas carol, a man for all seasons, a midsummer night's dream, adult panto, antigone on strike, arcola theatre, as you like it, asa butterfield, bbc proms, beauty and the beast panto, best shows 2025, bridge theatre, callum scott howles, cassidy janson, charie stemp, charing cross theatre, charles dickens, charlie stemp, cinderella, clarkston, dear annie i hate you, double act, dracapella, english national ballet, every brilliant thing, fantasia orchestra, gay panto, ghost stories by candlelight, ghosts ibsen, giselle, glyndebourne, goodnight oscar, jack holden, jobsworth, Joe Locke, John Partridge, jonathan bailey, just for one day, live aid musical, manhunt, marriage of figaro, martin shaw, mendelssohn, minnie driver, mischief, more life, mozart, murder she didn’t write, musicals, My Fair Lady, open air theatre, other palace, panto, park theatre, richard ii jonathan bailey, romeo and juliet, roxie rocks chicago, royal albert hall, royal court, salty brine, sean hayes, second best, shitfaced shakespeare, shucked, tarantula, tchaikovsky, tending, the chaos that has been and will no doubt return, the code, the comedy about spies, the deep blue sea, the fit prince, the glass menagerie, the globe, the great christmas feast, the magic of christmas, the mill at sonning, tracie bennet, west end -
Review of ‘Good Night, Oscar’: “Sean Hayes gives an insane performance of a folly good play”

Doug Wright’s highly anticipated play lands on the London stage for a limited summer run, exploring acclaimed Hollywood pianist and personality Oscar Levant’s struggles with mental health and his haunting relationship with composer George Gershwin. Guillermo Nazara shares his views on the show — to let us know if this Haye’s willfully graceful rendition comes…
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