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Review of ‘Cash On Delivery’: “Poorly executed account shows capital problems”
The Mill at Sonning hosts the latest revival of Michael Cooney’s 1997 farce. Guillermo Nazara shares his views on the show to let us know if this tender return manages to hit the jackpot. This was supposed to be funny. It really wasn’t — not that the idea isn’t promising, but I was expecting something…
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The 50 best shows of 2025
In the run-up to 2026’s exciting new offer, we’re taking a final trip down review lane to gather the most enduring shows of the year. Discover which ones have made the cut out of hundreds of press performances and how close it gets to your own selection. 50. Antigone On Strike Action, politics, and philosophy…
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Review of ‘My Fair Lady’ (The Mill at Sonning 2025): “Intimate revival secures acclaim with a bit of luck”
The venue welcomes the Christmas season with a new production of Lerner and Loewe’s timeless piece. Guillermo Nazara shares his views on the show to let us know whether this latest incarnation is good enough to grow accustomed to her face. They could have danced all night. And I could have watched them all day…
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Review of ‘Death Comes To Pemberley’: “Roughly executed whodunnit can hardly slay it”
The Richmond Theatre hosts the final run for the stage adaptation of P.D. James’s novel, reviving the intrigue and romantic allure of its period mystery plot until the end of the week. Guillermo Nazara shares his views on the show to let us know if this array of killing affairs is something worth dying for.…
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Review of ‘White Christmas’: “No chance of a silent night”
Irving Berlin’s film classic relives on Sonning’s Mill’s stage through this new production of its popular musical theatre adaptation. Guillermo Nazara shares his views on the show, to let us know if all the hype for this wintry montage turns out to be a snow job. I know what you’re waiting for. You’ve read it…
