-
Review of ‘Two Halves of Guinness’: “Star-driven subject creates great expectations, but the force isn’t with the script”

What I like the most about this actor- the one portrayed, that is -is that he made an annoying little kid cry with class and politeness. For the record, the child was just a fan who asked him to deliver his most famous (and apparently, misquoted) line. Nothing wrong with that, but I’m a critic.…
-
Kellie Shirley talks new comedy play ‘TWO’: “It’s an actor’s dream”

Following the success of its inaugural run, the play transfers to London’s Park Theatre until the end of April, reuniting the EastEnders and In The Long Run star with his partner in crime, Peter Cauldfield, in a lively semi-immersive performance set in a working-class pub. Guillermo Nazara chats with the actress to learn more about…
-
Playwright Mark Burgess talks upcoming biographical play ‘Two Halves of Guiness’: “This new production is like a magician’s box”

Over twenty-five years after the loss of one of Britain’s most legendary actors, Alec Guinness’s theatrical biography gets ready to settle on the London stage following its tour across the country. Guillermo Nazara chats with the man behind its creation to learn more about the show’s development and its driving force. How did the idea…
-
Review of ‘ROTUS: Receptionist of the United States’: “Political farce is unlikely to win audience’s general election”

Following a sold-out run at the Edinburgh Fringe, the show celebrates its London premiere at Park Theatre, playing for a strictly limited run until the start of February. Guillermo Nazara shares his views on the show to let us know if this satire on the Oval matters comes off square. If you’ve seen the Will…
-
Review of ‘Dracapella’: “Dumb-downed retelling of Stoker’s classic is a comedic braniac”

London’s Park Theatre hosts this new musical spoof of the famous Victorian horror story, featuring petrifying vocal performances and terribly silly humour. Guillermo Nazara shares his views on the show to let us know if this incubus of whimsy comes off more pale than desired. I wonder why vampires have always come off so gay.…
-
Review of ‘Jobsworth’: “Employment comedy stands high on the corporate ladder”

Following last summer’s run at the Edinburgh Fringe, the show travels to the London stage in its first full-length version. Guillermo Nazara shares his views on the show to let us know if its multitasking narrative brims with human resourcefulness or should be dismissed. She was hard for the money. So hard for the money.…
-
Playwright and performer Libby Rodliffe talks upcoming comedy show ‘Jobsworth’: “It’s very easy to make something droll when it’s unequivocally ridiculous to begin with”

Following an abridged iteration at last year’s Edinburgh Fringe, the show gears up for its first full-length run at London’s Park Theatre — bringing back the chaos, insanity, and subsequent laughter of dealing with today’s daunting job market. Guillermo Nazara chats with the artist to learn more about the creation of the piece and how…
-
Review of ‘Vermin’: “Rat-sodic acting shines through unpesticided writing”

London’s Park Theatre welcomes Benny Ainsworth’s psychological two-hander, featuring complex love relationships, dark humour, and a rodent murder. Guillermo Nazara shares his views on the show to let us know if its rat-targeting narrative turns out to be the cat’s whiskers. It’s nothing short of unsettling that I came to see this play on the…
-
Review of ‘The Gathered Leaves’: “Soul-searching narrative builds characters worth rooting for, but cuts down their growth”

London’s Park Theatre hosts the return of Andrew Keatly’s stirring play about autism and family relationships, in a new full-scale production featuring a star-studded cast. Guillermo Nazara shares his views on the show to let us know if its shaded storyline brings enough poignancy to the frond. It’s become fashionable in the last few years…

