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Review of ‘The Score’: “A D-minor work”
Acting legend Brian Cox stars in this period play depicting the later life of Johann Sebastian Bach. Guillermo Nazara shares his views on the show, to let us know if this new portrayal of the celebrated composer needs to face the music. London, 1979. A young Eastern European director was making his way to an…
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Review of ‘Unicorn’: “Barely topping ‘Afterglow’”
London’s Garrick Theatre welcomes the world premiere of Mike Barlett’s newest play, exploring society’s conventions while challenging the true meaning of love and family. Guillermo Nazara shares his views on the show, to let us know if this tale of a throuple manages to adopt a good posture for all that’s coming in it. We…
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Review of ‘A Good House’: “A sharp look under the hood”
The Royal Court Theatre hosts the London premiere of this new play made in co-production with the Bristol Old Vic – exploring the struggles of racial prejudice and cultural clash through neighbour-to-neighbour relationships. Guillermo Nazara shares his views on the show, to let us know if its home-arresting narrative ends ups mortgaging itself. The Bible…
