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Review of ‘Woody Sez’: “Biographical musical goes down the wrong dramaturgical road, and it feels bad”
He deserves to be celebrated. And celebrated, he is. Beautifully. Passionately. Sometimes, even remarkably. But not flawlessly. Far from that, in fact. The creative team is unlikely to change anything. The show played at the Ed Fringe over a decade ago, then came to London, and subsequently toured across the US, returning to its second…
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Creatives and performers Hannah Power and Conor Murray talk London transfer of ‘Don’t Tell Dad About Diana’: “We build meaning out of pop culture when we don’t yet have language for who we are”
The most beloved princess lives on through this new two-hander exploring queer identities and the evolution of LGBT+ rights in 1997 Ireland. Guillermo Nazara chats with the show’s authors and performers to learn more about the concept and how it will resonate with people’s hearts. How does it feel to be finally bringing the show…
