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Review of ‘Othello’: “Betrayal pays off”
The Bard’s greatest classic about disloyalty and deception returns to the Globe in a visually modernized production played by candlelight. Guillermo Nazara shares his views on the show, to let us know if this recurring piece in the London scene is still worth coming even now, now, very now. No good deed goes unpunished. Yet,…
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Review of ‘Ghosts’: “A twinge of fear for every immortal soul”
Ibsen takes a Shakesperian turn through the first-ever Globe production of his work. Guillermo Nazara shares his views on the show, to let us know if this new adaptation on one of his most controversial, later acclaimed plays keeps up its mystifying spirit. Thou shalt honour thy father and thy mother… Sometimes, grief and terror…
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Review of ‘Titus Andronicus’: “It didn’t die with shame”
Murder and revenge return to the Globe in this new production of Shakespeare’s first and most gruesome tragedy. Guillermo Nazara reviews a re-envisioned approach on this classic tale about pride and honour, to let us know what’s in store within the now blood-stained walls of the Sam Wanamaker Playhouse.
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Crítica de ‘Enrique V’: “El amor propio no es un pecado tan vil”
La última entrega de Shakespeare en esta épica historia sobre la sed de poder y la corrupción humana vuelve a las tablas del Globe, en una nueva versión que presenta retoques y escenas adicionales a la obra original. Guillermo Názara revisa esta producción reimaginada de uno de los dramas más impactantes del dramaturgo, para hacernos…
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Review of ‘Henry V’: “Self-love is not so vile a sin”
Shakespeare’s last installment on this epic tale about power thirst and human corruption returns to the Globe’s boards, in a new version featuring additional tweaks and scenes to the original work. Guillermo Názara reviews this reimagined production of one of the playwright’s most striking dramas, to let us know if the bard’s immortal spirit has…
