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Crítica de ‘Enrique V’: “El amor propio no es un pecado tan vil”

La última entrega de Shakespeare en esta épica historia sobre la sed de poder y la corrupción humana vuelve a las tablas del Globe, en una nueva versión que presenta retoques y escenas adicionales a la obra original. Guillermo Názara revisa esta producción reimaginada de uno de los dramas más impactantes del dramaturgo, para hacernos…
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azusa ono, benjin, dharmesh pael, drama, eleanor henderson, geoffrey lumb, georgia frost, globe player, hattie barsby, helena lymberry, henry v, historic drama, history, james cooney, joanna levine, jon furlong, josephine callies, joshua griffin, louis au, maddie cutter, max pappenheim, moi tran, naeem hayat, oliver johnstone, sam wannamaker, sam wannamaker playhouse, shakespeare, shakespeare’s globe -
Review of ‘Henry V’: “Self-love is not so vile a sin”

Shakespeare’s last installment on this epic tale about power thirst and human corruption returns to the Globe’s boards, in a new version featuring additional tweaks and scenes to the original work. Guillermo Názara reviews this reimagined production of one of the playwright’s most striking dramas, to let us know if the bard’s immortal spirit has…
guillermonazarareverter
azusa ono, benjin, dharmesh pael, drama, eleanor henderson, geoffrey lumb, georgia frost, globe player, hattie barsby, helena lymberry, henry v, historic drama, history, james cooney, joanna levine, jon furlong, josephine callies, joshua griffin, louis au, maddie cutter, max pappenheim, moi tran, naeem hayat, oliver johnstone, sam wannamaker, sam wannamaker playhouse, shakespeare, shakespeare's globe
