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Kathryn Hunter talks new play ‘Gigi & Dar’: “Why war?”
The celebrated director leads the world premiere of award-winning writer Josh Azouz’s latest piece, exploring the relationship between two women just a few days before finishing military service. Guillermo Nazara chats with the creative, to learn all the fun facts about the development of the show, and how she’s managed to hold the front. A…
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Review of ‘Casserole’: “Unspiced flavour”
The Arcola Theatre hosts the world premiere of the Actors East company’s opening montage, written in a joined effort between its director and performer. Guillermo Nazara shares his views on the show, to let us know if this simmering pie of humour and grief is full of beans. “There is no sincerer love than the…
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FEATURE: Read all about last night’s Off West End Awards ceremony
The Offies are back! For the first time in 3 years, the most prestigious awards celebrating the talent and effort of fringe and alternative theatre return to a live event – hosted on this occasion in the allure of London’s staggering Alexandra Palace. Guillermo Nazara tells us all the details about the experience, to take…
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Review of ‘The Mistake’: “Somebody had to make it”
One of the most horrific episodes in recent history relives onstage through the words and eyes of those who stood before it. Guillermo Nazara reviews this play dealing with the massacre of the Hiroshima bombing, to share this thoughts on this in-depth analysis about the people that lived through the terror but also the ones…
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Review of ‘The Poltergeist’: “A clash of souls”
Philip Ridley authors and stars in this one-man show dealing with the unrestrainable hate feeding the foundation of a seemingly loving familly. Guillermo Názara tells us his thoughts on the play – where hauntings happen, but in another kind of way.
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Crítica de ‘The Poltergeist’: “Un choque de almas”
Philip Ridley es el autor y protagonista de este espectáculo unipersonal que trata del odio irrefrenable que alimenta los cimientos de una familia aparentemente amorosa. Guillermo Názara nos cuenta su opinión sobre la obra, en la que los fantasmas se suceden, pero de otra manera.
