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Review of ‘Honey Badger’: “There’s a pulse, but still not a beat”

The Cockpit Theatre welcomes this experimental one-man show led by internationally renowned director Roberta Carreri, coming all the way from Denmark’s Nordisk Teaterlaboratorium. Guillermo Nazara shares his views on the show, to let us know if this display of crumbling emotions really brings the house down. Families are not the people we’re born to, but…
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Review of ‘Ned’: “Too much haze onstage”

London’s Old Red Lion Theatre hosts the return of this short play exploring the madness of social media and nowadays channels of communication. Guillermo Nazara shares his thoughts on the production, to break down the bits and pieces of a show intended to crack someone up. We’ve all been in that place where we think…
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Review of ‘Tipsy’: “Let’s get those nails more polished”

The Cockpit Theatre hosted the world premiere of this new comedy reflecting upon the harshness of our everyday through gleam, colour and a bit of acetone. Guillermo Nazara shares his views on this surreal tale taking place amidst the chaos of a beauty salon, to let us know if their services deserved a complaining form…
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Tatenda Shamiso talks ‘NO I.D.’: “You don’t have to transition to undergo change in your life”

The experiences of a young trans artist throughout his journey of self-discovery come together in this fun show celebrating individuality. Guillermo Nazara chats with its author and star of the show, to learn more about this biographical piece packed with memories, songs and a whole bunch of laughs. To make a piece about your own…
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Review of ‘The Poltergeist’: “A clash of souls”

Philip Ridley authors and stars in this one-man show dealing with the unrestrainable hate feeding the foundation of a seemingly loving familly. Guillermo Názara tells us his thoughts on the play – where hauntings happen, but in another kind of way.
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Crítica de ‘The Poltergeist’: “Un choque de almas”

Philip Ridley es el autor y protagonista de este espectáculo unipersonal que trata del odio irrefrenable que alimenta los cimientos de una familia aparentemente amorosa. Guillermo Názara nos cuenta su opinión sobre la obra, en la que los fantasmas se suceden, pero de otra manera.
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Los efectos secundarios del entretenimiento se apoderan de Nave 73
La sala acoge por tiempo limitado Dirty Acting, un espectáculo que reflexiona sobre la influencia del contenido audiovisual en nuestra forma de relacionarnos. Con un humor muy ácido, música y danza, el montaje recorre tanto las grandes referencias de la cultura pop como de la Literatura clásica, para ofrecer un viaje desde la superficie al…
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Inma Cuevas produce en el Lara una reflexión sobre el ocaso de los actores
La sala off acoge este nuevo montaje que reflexiona sobre el pasado como forma de afrontar el presente y el futuro. Estrenado originalmente en el Festival Surge de Madrid, la obra se representará en 3 únicas funciones entre enero y febrero. Escrita por Emilio Gómez y Guillermo Perujo, Inma Cuevas participa también como ayudante de…
