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Review of ‘Prayers For A Hungry Ghost’: “Haunting staging and spirited performances deliver an almost immortal concoction”
Barbican’s studio space hosts the world premiere of KISS-WITNESS’s latest creation — combining conceptual art, movement, puppetry, and acting to convey a story of loss, torment, and stoicism. Guillermo Nazara shares his views on the show to let us know if its spectral narrative is likely to get some boos. If you’re looking for the…
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Kathryn Hunter talks new play ‘Gigi & Dar’: “Why war?”
The celebrated director leads the world premiere of award-winning writer Josh Azouz’s latest piece, exploring the relationship between two women just a few days before finishing military service. Guillermo Nazara chats with the creative, to learn all the fun facts about the development of the show, and how she’s managed to hold the front. A…
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FEATURE: Read all about last night’s Off West End Awards ceremony
The Offies are back! For the first time in 3 years, the most prestigious awards celebrating the talent and effort of fringe and alternative theatre return to a live event – hosted on this occasion in the allure of London’s staggering Alexandra Palace. Guillermo Nazara tells us all the details about the experience, to take…
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Review of ‘The Poltergeist’: “A clash of souls”
Philip Ridley authors and stars in this one-man show dealing with the unrestrainable hate feeding the foundation of a seemingly loving familly. Guillermo Názara tells us his thoughts on the play – where hauntings happen, but in another kind of way.
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Crítica de ‘The Poltergeist’: “Un choque de almas”
Philip Ridley es el autor y protagonista de este espectáculo unipersonal que trata del odio irrefrenable que alimenta los cimientos de una familia aparentemente amorosa. Guillermo Názara nos cuenta su opinión sobre la obra, en la que los fantasmas se suceden, pero de otra manera.
