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Review of ‘The Dream of a Ridiculous Man’: “Whimsical gravitas”

Dostoyevsky’s words transcend onto the stage through this new one-man show adaptation penned by Laurence Boswell and starring Greg Hicks. Guillermo Nazara shares his views on the piece, to let us know if this philosophical fantasy is actually a castle in the air. “For I have seen the truth – I have seen and I…
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Review of ‘Casserole’: “Unspiced flavour”

The Arcola Theatre hosts the world premiere of the Actors East company’s opening montage, written in a joined effort between its director and performer. Guillermo Nazara shares his views on the show, to let us know if this simmering pie of humour and grief is full of beans. “There is no sincerer love than the…
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Review of ‘Tipsy’: “Let’s get those nails more polished”

The Cockpit Theatre hosted the world premiere of this new comedy reflecting upon the harshness of our everyday through gleam, colour and a bit of acetone. Guillermo Nazara shares his views on this surreal tale taking place amidst the chaos of a beauty salon, to let us know if their services deserved a complaining form…
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Crítica de ‘La vida de Pi’: “A prueba de naufragio

La obra de teatro más celebrada y premiada de la temporada sigue hipnotizando al público con su historia que te hace morder las uñas y sus asombrosos efectos visuales. Guillermo Názara nos cuenta sus impresiones sobre su regreso a La vida de Pi para el nuevo reparto, para que sepamos si el barco (y las…
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Review of ‘Life of Pi’: “Shipwrecking-tested”

The most celebrated and awarded stage play of the season continues to mesmerize audiences with its nail-biting story and astounding visuals. Guillermo Názara tells us his thoughts on his return to Life of Pi for the new cast, to let us know if the boat (and illusions) are still afloat.

