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Review of ‘Dracapella’: “Dumb-downed retelling of Stoker’s classic is a comedic braniac”
London’s Park Theatre hosts this new musical spoof of the famous Victorian horror story, featuring petrifying vocal performances and terribly silly humour. Guillermo Nazara shares his views on the show to let us know if this incubus of whimsy comes off more pale than desired. I wonder why vampires have always come off so gay.…
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Review of Top Hat: “New revival of Berlin’s classic is caught in the rain, and it isn’t lovely”
Following its world premiere at the Chichester Festival and subsequent national tour, the show arrives on the London scene for the festive season. Guillermo Nazara shares his views on the show to let us know if this latest incarnation can be brushed off. I’m not sure if they put all their eggs in one basket.…
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Review of ‘My Fair Lady’ (The Mill at Sonning 2025): “Intimate revival secures acclaim with a bit of luck”
The venue welcomes the Christmas season with a new production of Lerner and Loewe’s timeless piece. Guillermo Nazara shares his views on the show to let us know whether this latest incarnation is good enough to grow accustomed to her face. They could have danced all night. And I could have watched them all day…
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Review of ‘Ride The Cyclone’: “Funfair-themed musical builds a whirling carousel of songs but the attraction derails”
The Southwark Playhouse hosts the London premiere of Jacob Richmond and Brooke Maxwell’s cult musical. Guillermo Nazara shares his views on the show to let us know if this metaphysical ride is Carnie-gie Hall material. Life is a roller coaster, or so they say. Apparently, death can be too — or at least, what causes…
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Review of ‘Precipice’: “New political musical brings up edgy themes but ends up falling off its own cliff”
London’s New Diorama Theatre hosts the world premiere of the newborn Timelapse’s debut piece, set in a dystopian universe where the Earth’s resources have come to an end. Guillermo Nazara shares his views on the show to let us know if its green message has also led to a green delivery. A few years ago,…
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Review of ‘Miss Saigon’ (2025 UK & Ireland tour): “New revival engineers adequate staging but lead cast isn’t too much for one heart”
Schönberg & Boublil’s timeless musical returns to the British stage in this new production, touring across the country until summer next year. Guillermo Nazara shares his views on the show to let us know if the heat is still on. There is no helicopter flying onstage. The sooner I lower your expectations, the faster we…
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Review of ‘The Comparable Dina Martina’: “Irreverent act sends rousing vibrations but needs a firmer hand on the job”
The renowned drag queen is back at the Soho Theatre with her latest solo act, featuring an array of musical tributes combined with fabricated personal stories, occasional shade, and absolute camp. Guillermo Nazara shares his views on the show to let us know if the return of the successful Chariots of Failure creator is fine…
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Composer & lyricist Jack Godfrey talks new musical ‘Hot Mess’: “I would like to think that Earth and Humanity do have a future together”
Following a triumphant original run at the Edinburgh Fringe, the show is currently celebrating its first season in the London scene. Guillermo Nazara chats with the man behind the show’s score to learn more about its environmentalist rom-com plot, its development from a recycled germinal song, and the production’s globally warm reception. How does it…
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Artistic Director Chris Cuming talks NYMT’s 50th Anniversary: “Many young people do not know about theatre and the career prospects it can offer”
The company celebrated the milestone with a special event showcasing the history, artistry, and values that have defined its work for half a century now. Guillermo Nazara chats with the group’s guiding force, as they discuss the achievements and future goals of one of the UK’s biggest generators of new talent. How does it feel…
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Review of ‘Bloody Mary and The Nine-Day Queen’: “Headless new musical shows no merits to claim the throne”
The Union Theatre hosts the world premiere of this chamber piece depicting the rise and fall of Lady Jane Grey and her rivalry with Mary Tudor. Guillermo Nazara shares his views on the show to let us know if its blithe portrayal of Grey’s tragic fate is likely to leave audiences sanguine. It’s Halloween time…
