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Review of ‘Rope Drop’: “Disneyland cabaret homage is no E-ticket attraction, but it has a fast pass”
It’s become fashionable to hate on Disney adults. Some argue that their entertainment is aimed at kids and kids alone, and you should move on once they hit puberty. Others claim that grown-ups’ admiration for The Big Cheese and everything it manufactures is almost sectarian and requires psychological examination. And others (probably, the majority) are…
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Writers and performers Jordan Li-Smith and Ayesha Patel talk upcoming musical comedy ‘Rope Drop’: “As adults, we don’t always give ourselves permission to play, be silly or get excited about things”
The happiest place on earth travels to the London stage through this musical tribute celebrating its attractions, shows, and the memories that have turned millions of guests into lifelong fans. Guillermo Nazara chats with the creative team about the piece’s development and the ride it will take audiences on. How does it feel to be…
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Review of ‘Shanay Holmes In Concert’: “Heartfelt performance is remarkably pulsating”
She knows how to shine. And for the most part, that’s all she did. There are many things to praise about Shanay Holmes’s last week’s solo performance at the Cadogan Hall, whose hit-studded repertoire and overall excellent execution were received with a well-deserved standing ovation. From hopeful Disney Princess solos to swanky Bob Marley anthems,…
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Review of ‘The Sleeping Beauty’ (Royal Albert Hall, 2026): “Enchanting production has no dormant talents”
You can’t go wrong with Tchaikovsky, except perhaps if you’re listening to the 1812 Symphony. And you can hardly go wrong with the English National Ballet. It doesn’t take another genius to realise that combining the two will likely result in a tour de force. But it might take a trip to the Royal Albert…
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First Artist Anri Sugiura talks ENB’s upcoming production of ‘Sleeping Beauty’: “You can feel the pure joy of dancing”
Following the success of previous classical productions such as Cinderella and Swan Lake, the English National Ballet returns to the Royal Albert Hall with Kenneth MacMillan’s timeless adaptation of Tchaikovsky’s Sleeping Beauty. Guillermo Nazara chats with one of its prima ballerinas to learn about the piece’s highlights and how it will put audiences under a…
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Review of ‘Snow White All-Drag Panto’: “Poisoned humour and dopey characters make this retelling the funniest of them all”
London’s Emerald Theatre hosts the return of TuckShop’s signature festive piece, which celebrates its 5th anniversary with an even crazier remake of the popular fairy tale. Guillermo Nazara shares his views on the show to let us know if its adult flavour leads to either a bashful attempt or a giant in its genre. I…
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Review of Disney’s ‘Hercules’: “Divine adaptation of the 90s classic brings thunder to the stage but not that much humanity”
London’s West End goes into full a-muse-ment as the legendary film finally lands on its stage. Guillermo Nazara shares his views on the show — to let us know if this retelling of the hero is either a zero or if, instead, a star is born. What makes a true hero? And what makes a…
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Composer Matthew Wilder talks upcoming new musical ‘Stiletto’: “I’ve been able to discuss topics I couldn’t have touched decades ago”
The Academy Award nominee is finally bringing to the stage the project of a lifetime – depicting the fascinating real story of the now gone castrati singers. Guillermo Nazara chats with the artist, to learn all the facts about the creation of this ambitious piece, and how they got the balls rolling. After 40 years…
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Review of ‘Mufasa’: “Not everything can be wicked”
Disney’s worldwide phenomenon returns to the big screen, through this new instalment exploring the beginnings of one of its most iconic characters. Guillermo Nazara shares his views on the film, to let us know if, when it comes to praise, this latest prequel gets to have the franchise’s lion’s share. “It’s gonna be the mane…
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Review of ‘Pinocchio’: “Well strung together, but still needing to be showed a few ropes”
London’s Theatre Royal Stratford Eats welcomes its seasonal family panto with this original retelling of the childhood classic. Guillermo Nazara shares his views on the show, to let us know if this funky revision of the wooden puppet tale is good enough for audiences to log in. When I say Krik, you say Krak. When…
