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Review of ‘Flyby’: “Intricate score shoots for the stars despite narrative black hole”
London’s Southwark Playhouse presents the world premiere of Theo Jamieson’s romantic musical, featuring a cast of A-list West End performers. Guillermo Nazara shares his views on the show to let us know if, like its protagonist, this unusual recount has left him lost in space. Here comes another musical about love. And just like many…
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Review ‘Eggs Aren’t That Easy To Make’:”Scrambled narrative leads to audience’s hard-boiled reaction”
London’s Riverside presents this play exploring new parenthood through the lens of an atypical household. Guillermo Nazara shares his views on the show to let us know if its yolked premise comes out half-baked or poached. I don’t know what it is, but it seems like the subject of pregnancy is getting momentum in the…
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Review of ‘TWO’ (Park Theatre, 2026): “Intoxicating comedy serves audiences a bottomless round of laughter”
Following its inaugural run at the Greenwich Theatre, the latest revival Jim Cartwright’s spirited play transfers to the Park for a limited three-week run. Guillermo Nazara shares his views on the show to let us know if it should be given both barrels. It’s been over 20 years since Jim Cartwright’s play raised a first…
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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”
The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Review of ‘John Proctor Is The Villain’: “Revisionist play is a crucible of ideas, but the narrative is a witch’s brew”
Following the success of its original Broadway run, London’s Royal Court presents Kimberly Belflower’s modern exploration of Arthur Miller’s classic. Guillermo Nazara shares his views on the show to let us know if its execution is hanging by a thread. I still think Abigail Williams is the bad guy. In other words, we could confidently…
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Review of ‘Choir Boy’: “Socially vocal story needs to breathe”
The critically acclaimed coming-of-age play arrives in the London scene for a limited run, playing until the end of April. Guillermo Nazara shares his views on the show to let us know if this heartening story of friendship, discrimination, and resilience is likely to sing. There’s a lot to take from this play. Some good…
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Review of ‘In The Print’: “Indelible drama doesn’t bleed enough poignancy”
London’s King’s Head Theatre presents this historical play depicting the conflict between Rupert Murdoch and the printers’ unions. Guillermo Nazara shares his views on the show to let us know if its execution is anywhere near ink-credible. I’m no fan of Rupert Murdoch. I don’t think anyone who’s been educated by The Simpsons is. And…
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Review of ‘Lifeline’: “Powerful germ doesn’t lead to an infectious show”
The Southwark Playhouse presents the world premiere of this new Scottish musical about past and modern-day medicine. Guillermo Nazara shares his views on the show to let us know if this love letter to the health services made him sick. I swear to God that I don’t mean to crucify anyone with this review. Even…
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Review of ‘Kinky Boots’ (2026, London Coliseum): “Well-heeled spectacle isn’t laced with narrative deftness”
Cyndi Lauper and Harvey Fierstein’s hit musical treads the West End boards for the first time since its original run in this new production starring Johannes Radebe and Matt Cardle. Guillermo Nazara shares his views on the show to let us know if this sole-ful celebration of individuality is still the most beautiful thing in…
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Review of ‘This Is Not About Me’: “Heartless romance doesn’t have a pulse”
London’s Soho Theatre presents this new two-hander exploring the explosive relationship between two young lovers. Guillermo Nazara shares his views on the show to let us know if its passionate narrative needs to patch anything up. There was only one single line that resonated with me throughout the entire performance. A brief incident, but no…
