-
Review of ‘Four Play’: “Slightly rough handling leads to nearly bottomless enjoyment”
Jake Brunger’s play returns to the London scene in a new production directed by Jack Sain, running at the King’s Head Theatre until mid-August. Guillermo Nazara shares his views on the show to let us know if its narrative about sexual exploration comes off as a big enough satisfier. Here it comes again (no pun…
-
Review of ‘Firebird’: “Let the soviets’ union last longer”
Sergey Fetisov’s autobiographical novel communes onstage with the world premiere of its first theatrical adaptation. Guillermo Nazara shares his views on the show, to let us know if this real-life romance set during the Cold War is in need of a Perestroika. Every gay story is just the same. It’s a disgustingly heternormative comment to…
-
Review of ‘Earworm’: “Still teething until it bites”
The Divine Theatre hosts the London premiere of this new queer-themed play, depicting the struggles of love relationships. Guillermo Nazara shares his views on the show, to let us know if its biting concept managed to pump something palatable. On my own – pretending he’s behind me… I mean, beside me. Well, now that I…
-
Review of ‘Remembrance Monday’: “Straight to the point”
Love, grief and heartbreak come together in Michael Batten’s latest play exploring the joys and wounds of a committed relationship. Guillermo Nazara shares his views on the show, to let us know if this raw story dealing with the most harrowing experiences in a romance is worth falling for. There’s nothing new about what you’re…
-
Review of ‘Exhibitionits’: “Don’t try to be gay”
The King’s Head’s Theatre opens its new venue with the world premiere of Shaun McKenna and Andrew Van Sickle’s latest play. Guillermo Nazara shares his views on the show, to let us know how hard he can get when shooting his ink. Oh, nothing says ‘marriage’ like being torn to pieces. Having yourself screwed and…
