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Review of ‘The Society For New Cuisine’: “Piquoant ingredients leave audiences with a mild aftetaste”

The Omnibus Theatre hosts West End performer Chrid Fung’s writing debut, landing on the London scene upon its initial run at the Edinburgh Fringe. Guillermo Nazara shares his views on the show, to let us know if this cauldron of crude topics regales viewers with a house speciality or ends up feeling out to lunch.…
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Writer and performer Sam Ipema talks upcoming show ‘Dear Annie, I Hate You’: “Had I not been diagnosed, I highly doubt I’d find myself here putting on a play in London”

Following its successful run at the Edinburgh Fringe, the London scene welcomes the arrival of this dark comedy exploring the author’s real-ljfe journey upon suffering from an aneurysm. Guillermo Nazara chats with the playwright, to learn more about the creation of a show where positivity and inspiration are the brains of its outfit. How does…
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Review of ‘The Last Days of Liz Truss?’: “This iceberg needs some extra tips”

The former Prime Minister returns to the public eye through this parody show, exploring her seven-week term running the country. Guillermo Nazara shares his views on the show, to let us know if this comical depiction of the Radon Lady is worth your lettuce. Never trust politicians – even when they are in their salad…
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Writer Eva Hudson talks upcoming play ‘855-FOR-TRUTH’: “Listen to young people”

London’s Hope Theatre hosts the world premiere of this philosophical drama exploring the conflict of science and religion by building bridges between them both. Guillermo Nazara chats with its playwright, to learn more about the creation of this spiritual piece guaranteed to give us one hell of a journey. 855-FOR-TRUTH, Eva Hudson Interview for First…
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Review of ‘Looking For Giants’: “Fifty shades off-grey”

The King’s Head Theatre hosts the London premiere of this one-woman show embracing sexuality through the exploration of verbal BDSM fantasies. Guillermo Nazara shares his views on the piece, to let us know if this intercourse of comedy and eroticism manages to kink in. I swear to God (I know – that’s a good one)…
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Review of ‘Police Cops In Space’: “Still scores, but brings no music to our ears”

The most arresting show in town returns to the stage in a new form – bringing the second installment of its bullet-in story, with every intention of putting audiences on the edge… of the galaxy. Guillermo Nazara shares his views on the show, let us know if its SWAT humour deserves to be gunned for. In…
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Milanka Brooks talks Ed Fringe play ‘Mum and I Don’t Talk Anymore’: “If my Mum were to ever see this, I’m certain she’d shout at me!”

Known for her television work in recent hits such as Black Mirror or The Windsors, Milanka Brooks makes her writing debut through this one-woman show exploring some of the most personal themes in her life. Guillermo Nazara chats with the actress and author, to learn all the fun facts about this new piece where mum…
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Review of ‘Cloakroom’: “Hangering in there”

The Camden Fringe Festival welcomes the world premiere of Emma Cater’s newest comedy, set around the bitter conversations between two theatre ushers during their break times. Guillermo Nazara shares his views on the show, to let us know if its clothes-studded script ends up putting on the clamps. Have you ever wondered what secrets may…
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Linus Karp talks ‘Gwyneth Paltrow Goes Skiing’: “Having one of the actual lawyers from the trial say “you really captured her” was very special”

The most bouncy trial in Hollywood history slides onto the fringe scene through this new parody show currently playing at Ediburgh Fringe before embarking on a national tour. Guillermo Nazara chats with its lead actor and creator, to learn all the details about the creation of a show that, some way or another, its meant…
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Review of ‘At Least I’m Not Bald’: “Let’s add a few notes”

Valery Reva stars in this new own-written one-woman piece, exploring the trials and tribulations of a cancer patient through the eyes of innocence and fantasy. Guillermo Nazara shares his views on the show, to let us know if its entangled narrative ends up bringing a bad hair day. The other day, I felt the impulse…
