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Review of ‘Krapp’s Last Tape’ (2026, Royal Court): “Gary Oldman shines in somber existential play”

I’ve always found it difficult to connect with Samuel Beckett. I don’t deny his genius, but his niche appeal is undeniable, even to his most passionate lovers. That doesn’t make him better or worse. But it’s not easy to analyse a piece that you’re somehow predisposed not to enjoy. There are two reasons why its…
